{"id":4184,"date":"2012-10-29T22:08:38","date_gmt":"2012-10-30T05:08:38","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=4184"},"modified":"2012-10-29T22:26:14","modified_gmt":"2012-10-30T05:26:14","slug":"mulligan-and-parker-bonus","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2012\/10\/mulligan-and-parker-bonus\/","title":{"rendered":"Mulligan And Parker Bonus"},"content":{"rendered":"<p>Here\u00e2\u20ac\u2122s Mulligan\u00e2\u20ac\u2122s composition \u00e2\u20ac\u0153Rocker\u00e2\u20ac\u009d (aka \u00e2\u20ac\u0153Rock Salt\u00e2\u20ac\u2122) for Charlie Parker with strings, recorded in concert in New York in 1950.<\/p>\n<div style=\"text-align: center;\"> <iframe loading=\"lazy\" width=\"440\" height=\"355\" src=\"http:\/\/www.youtube.com\/embed\/VqjlbCRaZsc?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Here\u00e2\u20ac\u2122s Mulligan\u00e2\u20ac\u2122s composition \u00e2\u20ac\u0153Rocker\u00e2\u20ac\u009d (aka \u00e2\u20ac\u0153Rock Salt\u00e2\u20ac\u2122) for Charlie Parker with strings, recorded in concert in New York in 1950.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-4184","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4184","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=4184"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4184\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=4184"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=4184"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=4184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}