{"id":415,"date":"2006-03-24T01:06:00","date_gmt":"2006-03-24T09:06:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=415"},"modified":"2006-03-24T01:06:00","modified_gmt":"2006-03-24T09:06:00","slug":"the_jeff_hamilton_trio","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/03\/the_jeff_hamilton_trio\/","title":{"rendered":"The Jeff Hamilton Trio"},"content":{"rendered":"

I mentioned a few weeks ago that I was going to my hometown\u00e2\u20ac\u201dWenatchee, Washington, The Apple Capital of the World and the Buckle of the Powerbelt of the Northwest\u00e2\u20ac\u201dto give a talk preceding a concert by the Jeff Hamilton Trio. I had not heard Hamilton\u00e2\u20ac\u2122s group in person since early in the century, shortly after he brought aboard pianist Tamir Hendelman and bassist Christoph Luty. His drumming has been an addiction since I first heard him with Woody Herman in the late 1970s. My fascination with his work grew when he was with the L.A. Four<\/a> and, later, when he sparked the Clayton-Hamilton Jazz Orchestra<\/a> and recorded with Ray Brown, Milt Jackson, Bill Holman, Diana Krall and Benny Carter, to name a few of the major musicians he has supported and inspired.
\nI\u00e2\u20ac\u2122m not sure how the talk went that night; I was preoccupied with giving it. But I know that the concert was a success. The first half was by the Wenatchee Big Band, a semi-pro outfit with polish and sophistication suprising in a town with fewer than 30,000 people far from the big population centers. Hamilton sat in with the band, swinging it harder\u00e2\u20ac\u201dI think it\u00e2\u20ac\u2122s safe to say\u00e2\u20ac\u201dthan it may have thought it could swing. Among big band drummers, he most effectively embodies the unique combination of power and refinement the late Mel Lewis brought to that demanding craft. In a combo setting, he is every bit as effective, as he demonstrated with his trio in the second half.
\nI was unprepared for the degree to which Hamilton, Hendelman and Luty have coalesced into a group that, in unity of thought, purpose and execution, is in a league with the greatest piano trios. It has a personality different from the trios of Oscar Peterson, Bill Evans, Tommy Flanagan or, more recently, of Bill Charlap and Kenny Barron, but comparison with them defines its standing. The trio\u00e2\u20ac\u2122s character grows out of Hamilton\u00e2\u20ac\u2122s astonishing command of time. He maintains irresistible swing while executing rhythmic permutations of enormous complexity, more often with brushes than with sticks. That night in Wenatchee, Hendelman and Luty were not only with him every step of the way, but melded into his rhythm and he into theirs. They achieved a chamber music ideal, performance as one mind, one spirit. How wonderful it would be, I thought, if they could capture this level of perfection and swing in a recording. It would have to be a live recording, of course, because such things virtually never happen in the cold, demanding precincts of a studio.
\nThis is a case in which it is good to be wrong. The trio\u00e2\u20ac\u2122s new CD arrived a few days ago. The Jeff Hamilton Trio: From Studio 4, Cologne, Germany<\/a><\/em>, has the warmth, enthusiasm and flawless musicianship we heard in the Wenatchee concert. The arrangements by the members of the trio are smart, functional, never too clever for their own good. The pieces include a Milt Jackson blues, a samba by Hamilton, Hendelman\u00e2\u20ac\u2122s clever treatment of Thelonious Monk\u00e2\u20ac\u2122s \u00e2\u20ac\u0153Epistrophy,\u00e2\u20ac\u009d and several standards given new life. Among the more or less familiar songs are Luty\u00e2\u20ac\u2122s arrangement of \u00e2\u20ac\u0153Moonglow\u00e2\u20ac\u009d incorporating Hamilton\u00e2\u20ac\u2122s subtle virtuosity with wire brushes, \u00e2\u20ac\u0153I\u00e2\u20ac\u2122ve Never Been in Love Before\u00e2\u20ac\u009d and the gorgeous \u00e2\u20ac\u0153Too Many Stars.\u00e2\u20ac\u009d With Hamilton\u00e2\u20ac\u2122s group, Hendelman, an engaging team player, has grown into a major piano soloist, and Luty has developed further as a bassist strong in support and in solo.<\/p>\n","protected":false},"excerpt":{"rendered":"

I mentioned a few weeks ago that I was going to my hometown\u00e2\u20ac\u201dWenatchee, Washington, The Apple Capital of the World and the Buckle of the Powerbelt of the Northwest\u00e2\u20ac\u201dto give a talk preceding a concert by the Jeff Hamilton Trio. I had not heard Hamilton\u00e2\u20ac\u2122s group in person since early in the century, shortly after […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-415","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/415","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=415"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/415\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=415"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=415"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=415"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}