{"id":4058,"date":"2012-09-20T23:16:30","date_gmt":"2012-09-21T06:16:30","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=4058"},"modified":"2012-09-20T23:26:18","modified_gmt":"2012-09-21T06:26:18","slug":"dizzys-sweet-lorraine","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2012\/09\/dizzys-sweet-lorraine\/","title":{"rendered":"Dizzy&#8217;s &#8220;Sweet Lorraine&#8221;"},"content":{"rendered":"<p>After rounds of research and interviews, I am finally in the writing phase of a Dizzy Gillespie project whose nature I will disclose to you one of these days. For now, suffice it to say that it involves Gillespie club performances most of which have never been released. In the course of listening to them, I took many side trips to his work on issued records <a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/09\/Dizzy-head-shot.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/09\/Dizzy-head-shot.jpg\" alt=\"\" title=\"Dizzy, head shot\" width=\"84\" height=\"84\" class=\"alignright size-full wp-image-4060\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/09\/Dizzy-head-shot.jpg 84w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/09\/Dizzy-head-shot-70x70.jpg 70w\" sizes=\"auto, (max-width: 84px) 100vw, 84px\" \/><\/a>. One of them that I hadn\u00e2\u20ac\u2122t listened to in a couple of decades reminded me that Dizzy made one of the classic versions of a song that has never lost its charm or its harmonic structure\u00e2\u20ac\u2122s possibilities. This is what a great artist did in one chorus of melodic improvisation on \u00e2\u20ac\u0153Sweet Lorraine.\u00e2\u20ac\u009d  <\/p>\n<div style=\"text-align: center;\"><iframe loading=\"lazy\" width=\"440\" height=\"355\" src=\"http:\/\/www.youtube.com\/embed\/ylAYTDqLXtI?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/iframe><\/div>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/09\/Lorraine-Gillespie.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/09\/Lorraine-Gillespie.jpg\" alt=\"\" title=\"Lorraine Gillespie\" width=\"80\" height=\"80\" class=\"alignleft size-full wp-image-4059\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/09\/Lorraine-Gillespie.jpg 80w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/09\/Lorraine-Gillespie-70x70.jpg 70w\" sizes=\"auto, (max-width: 80px) 100vw, 80px\" \/><\/a><\/p>\n<p>I wonder if he was thinking of his wife, Lorraine, as he played that. <a href=\"http:\/\/www.amazon.com\/Plays-Paris-Dig-Dizzy-Gillespie\/dp\/B000007WAH\/?_encoding=UTF8&#038;camp=1789&#038;creative=9325&#038;linkCode=ur2&#038;tag=rifftidougram-20\"target=\"_blank\"target-\"_blank\"><\/p>\n<p>Dizzy Gillespie in Paris<\/a> in 1952, with Bill Tamper, trombone; Hubert Fol, alto saxophone; Don Byas, tenor saxophone; Raymond Fol, piano; Pierre Michelot, bass; and Pierre Lemarchand, drums. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>After rounds of research and interviews, I am finally in the writing phase of a Dizzy Gillespie project whose nature I will disclose to you one of these days. For now, suffice it to say that it involves Gillespie club performances most of which have never been released. In the course of listening to them, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":4060,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-4058","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4058","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=4058"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4058\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media\/4060"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=4058"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=4058"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=4058"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}