{"id":405,"date":"2006-03-15T01:03:00","date_gmt":"2006-03-15T09:03:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=405"},"modified":"2006-03-15T01:03:00","modified_gmt":"2006-03-15T09:03:00","slug":"horn_and_mcpartlandgirl_talk_a","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/03\/horn_and_mcpartlandgirl_talk_a\/","title":{"rendered":"Horn And McPartland\u00e2\u20ac\u201dGirl Talk, And More"},"content":{"rendered":"<p>In the quarter of a century during which Marian McPartland has presented <a href=\"http:\/\/www.npr.org\/programs\/pianojazz\/\"target=\"-blank\"><em>Piano Jazz <\/em><\/a>on National Public Radio, her guests have included most of the idiom\u00e2\u20ac\u2122s important pianists of the late twentieth and early twenty-first centuries, ranging in style from Jay McShann to Chick Corea. One of the most rewarding of her programs was in 1984 with the late <a href=\"http:\/\/www.amazon.com\/exec\/obidos\/redirect?link_code=ur2&#038;tag=rifftidougram-20&#038;camp=1789&#038;creative=9325&#038;path=http%3A%2F%2Fwww.amazon.com%2Fgp%2Fproduct%2FB000E1NX22%2Fsr%3D8-3%2Fqid%3D1142403775%2Fref%3Dsr_1_3%3F%255Fencoding%3DUTF8\"target=\"_blank\">Shirley Horn<\/a>. Usually shy and reluctant to verbalize about her music, Horn came out of her shell for McPartland. The  two pianists got along beautifully and delivered a supremely relaxed hour of conversation and music. They played with and for one another, and Horn sang\u00e2\u20ac\u201dperfectly\u00e2\u20ac\u201dthree songs. At times, the patter edged into the giddiness of a couple of friends indulging in girl talk. Charming stuff.<br \/>\nWhen they tackled Don Redman\u00e2\u20ac\u2122s 1928 pop song \u00e2\u20ac\u0153Cherry\u00e2\u20ac\u009d and collided harmonically on its bridge, McPartland and Horn worked their way out of the confusion and laughed about it afterward. Collaborating on a spontaneous blues, each played at the top her game, stimulated and encouraged by the other. There may have been more profound and instructive installments of <em>Piano Jazz<\/em>\u00e2\u20ac\u201d<a href=\"http:\/\/www.amazon.com\/exec\/obidos\/redirect?link_code=ur2&#038;tag=rifftidougram-20&#038;camp=1789&#038;creative=9325&#038;path=http%3A%2F%2Fwww.amazon.com%2Fgp%2Fproduct%2FB00006EXDN%2Fsr%3D8-2%2Fqid%3D1142403931%2Fref%3Dsr_1_2%3F%255Fencoding%3DUTF8\"target=\"_blank\">the one with Bill Evans<\/a>, as an example\u00e2\u20ac\u201dbut none more enjoyable.<br \/>\nJazz Alliance, a subsidiary of Concord Records, has issued a new batch of <em>Piano Jazz<\/em> shows on CD. They include guests Dave Brubeck, Teddy Wilson, Dizzy Gillespie, Lionel Hampton and\u00e2\u20ac\u201dfrom the sort-of-, would-be- or near-jazz category\u00e2\u20ac\u201dSteely Dan, Elvis Costello and Bruce Hornsby. To check out several of the most recent and older Jazz Alliance releases in the series, <a href=\"http:\/\/www.amazon.com\/exec\/obidos\/redirect?link_code=ur2&#038;tag=rifftidougram-20&#038;camp=1789&#038;creative=9325&#038;path=http%3A%2F%2Fwww.amazon.com%2Fgp%2Fsearch%2Fref%3Dnb_ss_gw%3Furl%3Dsearch-alias%253Daps%26field-keywords%3DMarian%2BMcPartland%2BPiano%2BJazz%26Go.x%3D11%26Go.y%3D10\"target=:\"_blank\">go here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the quarter of a century during which Marian McPartland has presented Piano Jazz on National Public Radio, her guests have included most of the idiom\u00e2\u20ac\u2122s important pianists of the late twentieth and early twenty-first centuries, ranging in style from Jay McShann to Chick Corea. One of the most rewarding of her programs was in [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-405","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/405","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=405"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/405\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=405"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=405"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=405"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}