{"id":4023,"date":"2012-09-05T11:52:04","date_gmt":"2012-09-05T18:52:04","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=4023"},"modified":"2012-09-05T12:00:00","modified_gmt":"2012-09-05T19:00:00","slug":"followup-apples-pears-cezanne-satie","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2012\/09\/followup-apples-pears-cezanne-satie\/","title":{"rendered":"Followup: Iola, Apples, Pears, Cezanne, Satie"},"content":{"rendered":"<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/09\/Iola-Brubeck.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/09\/Iola-Brubeck.jpg\" alt=\"\" title=\"Iola Brubeck\" width=\"100\" height=\"102\" class=\"alignleft size-full wp-image-4024\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/09\/Iola-Brubeck.jpg 130w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/09\/Iola-Brubeck-70x70.jpg 70w\" sizes=\"auto, (max-width: 100px) 100vw, 100px\" \/><\/a>Iola Brubeck, whom Paul Desmond described as &#8220;the incomparable, regal Iola,&#8221; sent a comment about the <em>Rifftides<\/em> 2012 Crop Forecast. She included the words of a choral piece by her husband, whose name is Dave. To see her comment, Mr. Brubeck&#8217;s lyric, photographs of ripening fruit, and to listen to Wayne Shorter and Eric Satie (not together) <a href=\"http:\/\/www.artsjournal.com\/rifftides\/2012\/08\/other-matters-the-2012-crop-forecast-with-music.html\"target=\"_blank\">go here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Iola Brubeck, whom Paul Desmond described as &#8220;the incomparable, regal Iola,&#8221; sent a comment about the Rifftides 2012 Crop Forecast. She included the words of a choral piece by her husband, whose name is Dave. To see her comment, Mr. Brubeck&#8217;s lyric, photographs of ripening fruit, and to listen to Wayne Shorter and Eric Satie [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-4023","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4023","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=4023"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4023\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=4023"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=4023"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=4023"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}