{"id":397,"date":"2006-03-17T01:05:00","date_gmt":"2006-03-17T09:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=397"},"modified":"2006-03-17T01:05:00","modified_gmt":"2006-03-17T09:05:00","slug":"comment_fathead_and_lou_too","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/03\/comment_fathead_and_lou_too\/","title":{"rendered":"Comment: Fathead, and Lou, Too"},"content":{"rendered":"<p><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/redirect?link_code=ur2&#038;tag=rifftidougram-20&#038;camp=1789&#038;creative=9325&#038;path=http%3A%2F%2Fwww.amazon.com%2Fgp%2Fproduct%2F0300104200%2Fqid%3D1142576929%2Fsr%3D2-1%2Fref%3Dpd_bbs_b_2_1%3Fs%3Dbooks%26v%3Dglance%26n%3D283155\"target=\"_blank\">Larry Kart<\/a> writes from Chicago about the David &#8220;Fathead&#8221; Newman review in the next exhibit:<\/p>\n<blockquote><p>A wise, lovely, loving piece of writing. A &#8220;customized time value&#8221; &#8212; yes. I had a similar thought the other day listening to Lou Donaldson on the reissue of his Blue Note album <em><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/redirect?link_code=ur2&#038;tag=rifftidougram-20&#038;camp=1789&#038;creative=9325&#038;path=http%3A%2F%2Fwww.amazon.com%2Fgp%2Fproduct%2FB00007KMNT%2Fqid%3D1142576467%2Fsr%3D1-1%2Fref%3Dsr_1_1%3Fs%3Dmusic%26v%3Dglance%26n%3D5174\"target=\"_blank\">The Natural Soul<\/a><\/em>. The way he holds a note as though he were holding\/molding it with his hands. <\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Larry Kart writes from Chicago about the David &#8220;Fathead&#8221; Newman review in the next exhibit: A wise, lovely, loving piece of writing. A &#8220;customized time value&#8221; &#8212; yes. I had a similar thought the other day listening to Lou Donaldson on the reissue of his Blue Note album The Natural Soul. The way he holds [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-397","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/397","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=397"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/397\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=397"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=397"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=397"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}