{"id":3966,"date":"2012-08-21T08:01:01","date_gmt":"2012-08-21T15:01:01","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=3966"},"modified":"2012-08-21T08:01:01","modified_gmt":"2012-08-21T15:01:01","slug":"trumpet-stuff-saunders-and-shew","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2012\/08\/trumpet-stuff-saunders-and-shew\/","title":{"rendered":"Trumpet Stuff: Saunders And Shew"},"content":{"rendered":"<p>The subject line of Scott Weiss\u00e2\u20ac\u2122s e-mail was \u00e2\u20ac\u0153trumpet stuff.\u00e2\u20ac\u009d His message included a link to video Weiss took of Bobby Shew and Carl Saunders. For decades, the trumpeters played together in big bands <a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/08\/Shew-Saunders.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/08\/Shew-Saunders.jpg\" alt=\"\" title=\"Shew &amp; Saunders\" width=\"170\" height=\"129\" class=\"alignleft size-full wp-image-3967\" \/><\/a>including those of Buddy Rich, Bill Holman and Bob Florence. On his website, Weiss quotes Shew as saying that he and Saunders have been, \u00e2\u20ac\u0153thick as thieves since around 1961.\u00e2\u20ac\u009d In a rare combination of talents, each of them is a major improvising soloist also capable of the most demanding lead trumpet work. <\/p>\n<p>Shew and Saunders have been stalwarts not only in jazz, but also in southern California film, television and recording studios. Since Shew moved from Los Angeles to his native New Mexico a few years ago, they cross paths less frequently, but when they do, to borrow Louis Armstrong\u00e2\u20ac\u2122s phrase, \u00e2\u20ac\u0153chops is flyin\u00e2\u20ac\u2122 everywhere.\u00e2\u20ac\u009d On this occasion, they took turns also playing drums. The 2003 gig was at a Camarillo, California, club called Michael D\u00e2\u20ac\u2122s, now defunct. Bob Florence was the pianist, Dave Carpenter the bassist. <\/p>\n<div style=\"text-align: center;\"><iframe loading=\"lazy\" width=\"440\" height=\"355\" src=\"http:\/\/www.youtube.com\/embed\/EUUZ3iMk9XU?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/iframe><\/div>\n<p><p>For more of Shew, Saunders and other trumpet players, see Scott Weiss\u00e2\u20ac\u2122s <a href=\"http:\/\/www.youtube.com\/user\/trumpetworld1\/videos?sort=p&#038;view=0\"target=\"_blank\"><em>YouTube<\/em> page<\/a> and <a href=\"http:\/\/www.trumpetworld.net\/\"target=\"_blank\">his website<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The subject line of Scott Weiss\u00e2\u20ac\u2122s e-mail was \u00e2\u20ac\u0153trumpet stuff.\u00e2\u20ac\u009d His message included a link to video Weiss took of Bobby Shew and Carl Saunders. For decades, the trumpeters played together in big bands including those of Buddy Rich, Bill Holman and Bob Florence. On his website, Weiss quotes Shew as saying that he and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-3966","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3966","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=3966"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3966\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=3966"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=3966"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=3966"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}