{"id":3956,"date":"2012-08-16T23:17:21","date_gmt":"2012-08-17T06:17:21","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=3956"},"modified":"2012-08-16T23:17:21","modified_gmt":"2012-08-17T06:17:21","slug":"bill-evans","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2012\/08\/bill-evans\/","title":{"rendered":"Bill Evans"},"content":{"rendered":"<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/08\/Evans-head.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/08\/Evans-head.jpg\" alt=\"\" title=\"Evans head\" width=\"82\" height=\"96\" class=\"alignleft size-full wp-image-3957\" \/><\/a>Before the 83rd anniversary of Bill Evans\u00e2\u20ac\u2122 birth fades away, at least in this time zone, let\u00e2\u20ac\u2122s listen together to \u00e2\u20ac\u0153Gloria\u00e2\u20ac\u2122s Step,\u00e2\u20ac\u009d a masterpiece from his 1961 <a href=\"http:\/\/affiliate-program.amazon.com\/gp\/associates\/login\/login.html\/?ie=UTF8&#038;camp=1789&#038;creative=9325&#038;linkCode=ur2&#038;tag=rifftidougram-20\"target=\"_blank\"><em>Sunday At The Village Vanguard<\/em><\/a> album. The trio, of course, was Evans, bassist Scott LaFaro and drummer Paul Motian.  <\/p>\n<div style=\"text-align: center;\"> <iframe loading=\"lazy\" width=\"440\" height=\"355\" src=\"http:\/\/www.youtube.com\/embed\/rARGPAkIcw4?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/iframe><\/div>\n<p><p>Evans died on September 15, 1980.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Before the 83rd anniversary of Bill Evans\u00e2\u20ac\u2122 birth fades away, at least in this time zone, let\u00e2\u20ac\u2122s listen together to \u00e2\u20ac\u0153Gloria\u00e2\u20ac\u2122s Step,\u00e2\u20ac\u009d a masterpiece from his 1961 Sunday At The Village Vanguard album. The trio, of course, was Evans, bassist Scott LaFaro and drummer Paul Motian. Evans died on September 15, 1980.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-3956","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3956","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=3956"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3956\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=3956"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=3956"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=3956"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}