{"id":3844,"date":"2012-07-20T17:33:00","date_gmt":"2012-07-21T00:33:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=3844"},"modified":"2012-07-20T20:58:55","modified_gmt":"2012-07-21T03:58:55","slug":"other-places-ravi-and-igor","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2012\/07\/other-places-ravi-and-igor\/","title":{"rendered":"Other Places: Ravi And Igor"},"content":{"rendered":"<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/07\/Ravi-Coltrane2.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/07\/Ravi-Coltrane2-150x150.jpg\" alt=\"\" title=\"Ravi Coltrane\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-3849\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/07\/Ravi-Coltrane2-150x151.jpg 150w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/07\/Ravi-Coltrane2-70x70.jpg 70w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/07\/Ravi-Coltrane2-110x110.jpg 110w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>National Public Radio&#8217;s series<a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/07\/Stravinksy.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/07\/Stravinksy-130x150.jpg\" alt=\"\" title=\"Stravinksy\" width=\"130\" height=\"150\" class=\"alignright size-thumbnail wp-image-3852\" \/><\/a> &#8220;Mom And Dad&#8217;s Record Collection&#8221; recently featured Ravi Coltrane, who has followed his father as a tenor and soprano saxophonist. John died when Ravi was two years old. Most of his son&#8217;s early musical memories stem from records his pianist and harpist mother Alice played when he and his siblings were children. He told NPR&#8217;s Robert Siegel:<\/p>\n<blockquote><p>I remember my mother playing lots of symphonic music. Specifically, my mom was a great admirer of Igor Stravinsky. Her favorite pieces were <em>The Rite of Spring<\/em> and, more so, the <em>Firebird Suite<\/em>.<\/p><\/blockquote>\n<p>To hear Siegel&#8217;s five minutes with Ravi Coltrane, <a href=\"http:\/\/www.npr.org\/2012\/07\/19\/157060981\/at-home-with-the-coltranes-listening-to-stravinsky\"target=\"_blank\">go here<\/a> and click on &#8220;Listen Now.&#8221;<\/p>\n<p>To see and hear Stravinsky, at 82, conduct the thrilling final moments of <em>The Firebird<\/em>, click on the arrow:<\/p>\n<div style=\"text-align: center;\"><iframe loading=\"lazy\" width=\"440\" height=\"355\" src=\"http:\/\/www.youtube.com\/embed\/5tGA6bpscj8?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>National Public Radio&#8217;s series &#8220;Mom And Dad&#8217;s Record Collection&#8221; recently featured Ravi Coltrane, who has followed his father as a tenor and soprano saxophonist. John died when Ravi was two years old. Most of his son&#8217;s early musical memories stem from records his pianist and harpist mother Alice played when he and his siblings were [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-3844","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3844","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=3844"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3844\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=3844"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=3844"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=3844"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}