{"id":383,"date":"2006-02-23T00:03:11","date_gmt":"2006-02-23T08:03:11","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=383"},"modified":"2006-02-23T00:03:11","modified_gmt":"2006-02-23T08:03:11","slug":"paul_and_frank","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/02\/paul_and_frank\/","title":{"rendered":"Paul and Frank"},"content":{"rendered":"<p><em>Take Five: The Public and Private Lives of Paul Desmond <\/em>has been running neck and neck with Frank <em>Sinatra: The Life<\/em> as best-selling book on jazz at the <a href=\"http:\/\/browse.barnesandnoble.com\/browse\/nav.asp?z=y&#038;bncatid=914475&#038;visgrp=nonfiction\"target=\"_blank\">Barnes and Noble website<\/a>. Yesterday we were first. Today we&#8217;re second.<br \/>\nAnd you thought the Winter Olympics were exciting.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Take Five: The Public and Private Lives of Paul Desmond has been running neck and neck with Frank Sinatra: The Life as best-selling book on jazz at the Barnes and Noble website. Yesterday we were first. Today we&#8217;re second. And you thought the Winter Olympics were exciting.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-383","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/383","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=383"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/383\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=383"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=383"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=383"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}