{"id":3823,"date":"2012-07-15T15:32:30","date_gmt":"2012-07-15T22:32:30","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=3823"},"modified":"2012-07-15T15:32:30","modified_gmt":"2012-07-15T22:32:30","slug":"cd-alan-broadbent","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2012\/07\/cd-alan-broadbent\/","title":{"rendered":"CD: Alan Broadbent"},"content":{"rendered":"<p>Alan Broadbent Trio <a href=\"http:\/\/www.amazon.com\/Live-Giannelli-Square-Vol-passionBroadbent\/dp\/B0089MZZ7E\/?_encoding=UTF8&#038;tag=rifftidougram-20&#038;linkCode=ur2&#038;camp=1789&#038;creative=9325\"target=\"_blank\">Live At Giannelli Square, Volume 2<\/a> (Chilly Bin)<\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/07\/Broadbent-Giannelli-2.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/07\/Broadbent-Giannelli-2.jpg\" alt=\"\" title=\"Broadbent Giannelli 2\" width=\"150\" height=\"150\" class=\"alignleft size-full wp-image-3824\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/07\/Broadbent-Giannelli-2.jpg 150w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/07\/Broadbent-Giannelli-2-70x70.jpg 70w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/07\/Broadbent-Giannelli-2-110x110.jpg 110w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>Recorded in Los Angeles shortly before Broadbent transplanted himself to New York, Giannelli 2 is the equal of <a href=\"http:\/\/www.artsjournal.com\/rifftides\/2010\/12\/cd_alan_broadbent_1.html\"target=\"_blank\">Volume 1<\/a>. That is high praise. The pianist\u00e2\u20ac\u2122s harmonic acuity, melodic invention, touch and rapport with bassist Putter Smith and drummer Kendall Kay made this one of the finest trios in jazz. They find freshness in \u00e2\u20ac\u0153Yesterdays,\u00e2\u20ac\u009d \u00e2\u20ac\u0153You Don\u00e2\u20ac\u2122t Know What Love Is\u00e2\u20ac\u009d and a romp based on \u00e2\u20ac\u0153Just Friends.\u00e2\u20ac\u009d Broadbent\u00e2\u20ac\u2122s compositions include a blues and a pure original called \u00e2\u20ac\u0153Wandering Road,\u00e2\u20ac\u009d but the album\u00e2\u20ac\u2122s <em>piece de resistance<\/em> is his \u00e2\u20ac\u0153Sing a Song of Dameron,\u00e2\u20ac\u009d which does not imitate Tadd Dameron, but conjures the composer\u00e2\u20ac\u2122s essence.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alan Broadbent Trio Live At Giannelli Square, Volume 2 (Chilly Bin) Recorded in Los Angeles shortly before Broadbent transplanted himself to New York, Giannelli 2 is the equal of Volume 1. That is high praise. The pianist\u00e2\u20ac\u2122s harmonic acuity, melodic invention, touch and rapport with bassist Putter Smith and drummer Kendall Kay made this one [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-3823","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3823","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=3823"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3823\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=3823"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=3823"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=3823"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}