{"id":3808,"date":"2012-07-10T23:02:16","date_gmt":"2012-07-11T06:02:16","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=3808"},"modified":"2012-07-10T23:02:16","modified_gmt":"2012-07-11T06:02:16","slug":"frishberg-and-friends-channel-al-and-zoot","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2012\/07\/frishberg-and-friends-channel-al-and-zoot\/","title":{"rendered":"Frishberg And Friends Channel Al And Zoot"},"content":{"rendered":"<p>If you live in or near Portland, Oregon, this is your lucky week. I am not at all reluctant to plug Ivories Jazz Lounge or this group of elite Portland players. Here\u00e2\u20ac\u2122s the announcement from Ivories.<\/p>\n<blockquote>\n<div style=\"text-align: center;\">Thursday July 12<br \/>\nThe Two Tenors &amp; Dave Frishberg play the music of Al Cohn and Zoot Sims, with David Evans, Lee Wuthenow, tenor saxophones; Dave Frishberg, piano; Tom Wakeling, bass; Charlie Doggett, drums.<br \/>\nIvories Jazz Lounge<br \/>\n1435 NW Flanders, Portland, OR 97219<br \/>\nhttp:\/\/www.ivoriesjazz.com<br \/>\nReservations: 503-241-6514<br \/>\n8PM &#8211; 11PM<br \/>\n$10 Cover<\/div>\n<\/blockquote>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/07\/Al-Zoot-Utica-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-3809\" title=\"Al &amp; Zoot Utica 1\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/07\/Al-Zoot-Utica-1.jpg\" alt=\"\" width=\"266\" height=\"189\" \/><\/a><em>Al and Zoot in Utica NY &#8211; Autumn 1967: Afternoon concert at a college auditorium. L to R: Dave Frishberg, Al Cohn, Victor Sproles, Zoot Sims, Steve Schaeffer. Later we dined lavishly at Grimaldi&#8217;s Restaurant. <\/em><strong>(Photo and caption stolen from Frishberg\u00e2\u20ac\u2122s <a href=\"http:\/\/www.davefrishberg.net\/\" target=\"_blank\">website<\/a>. <em>Rifftides<\/em> defense lawyers are standing by)<\/strong><\/p>\n<p>During his New York period, Frishberg worked extensively with Cohn and Sims, often at the old Half Note. The three were together on <a href=\"http:\/\/www.amazon.com\/The-You-Me-That-Used\/dp\/B000008C5L\/?_encoding=UTF8&amp;tag=rifftidougram-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\"><em>The You And Me That Used To Be<\/em><\/a> (1971), the finest recording of Jimmy Rushing\u00e2\u20ac\u2122s last years, with arrangements by Frishberg. In addition to Cohn, Sims and Frishberg, the players are Budd Johnson, soprano sax; Ray Nance, cornet and violin; Milt Hinton, bass; and Mel Lewis, drums. Do not ask me to explain the relevance of the video added to this track from the album. Let\u00e2\u20ac\u2122s just be glad that the <em>YouTube<\/em> contributor uploaded the music.<\/p>\n<div style=\"text-align: center;\">\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/YTbECl6Hyds?rel=0\" frameborder=\"0\" width=\"440\" height=\"355\"><\/iframe><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>If you live in or near Portland, Oregon, this is your lucky week. I am not at all reluctant to plug Ivories Jazz Lounge or this group of elite Portland players. Here\u00e2\u20ac\u2122s the announcement from Ivories. Thursday July 12 The Two Tenors &amp; Dave Frishberg play the music of Al Cohn and Zoot Sims, with [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-3808","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3808","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=3808"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3808\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=3808"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=3808"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=3808"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}