{"id":379,"date":"2006-02-24T01:03:00","date_gmt":"2006-02-24T09:03:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=379"},"modified":"2006-02-24T01:03:00","modified_gmt":"2006-02-24T09:03:00","slug":"jazz_scene_about_last_night","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/02\/jazz_scene_about_last_night\/","title":{"rendered":"Jazz Scene &#038; About Last Night"},"content":{"rendered":"<p>Under <strong>Other Places<\/strong> in the right-hand column, you will find a new link, to <a href=\"http:\/\/www.jazzscene.no\/\"target=\"_blank\"><em>Jazz Scene<\/em><\/a>, a site operated by the British journalist David Fishel. <em>Jazz Scene<\/em> is rather like an internet radio station over which the listener has scheduling control.  Mr. Fishel&#8217;s specialty is interviews with musicians. He intersperses the conversations with music by his guests, rather as Rebecca Kilgore did in her short-lived and lamented <em>On The Road<\/em> series. His current subject is the Italian pianist Enrico Pieranunzi. In his &#8220;Show Files&#8221; link, he has programs with musicians as varied as Dianne Reeves, Svend Asmussen, Charlie Hunter, Horace Silver, Marilyn Crispell and Roger Kellaway. Good listening.<br \/>\nEven though Terry Teachout&#8217;s <em>About Last Night<\/em> is linked under <strong>AJ Blogs<\/strong>, I linked him again in <strong>Other Places<\/strong> just to be sure you don&#8217;t miss his and Our Girl In Chicago&#8217;s terrific omnibus nexus of culture. Visit them often, but please come back. Bring your friends.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Under Other Places in the right-hand column, you will find a new link, to Jazz Scene, a site operated by the British journalist David Fishel. Jazz Scene is rather like an internet radio station over which the listener has scheduling control. Mr. Fishel&#8217;s specialty is interviews with musicians. He intersperses the conversations with music by [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-379","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/379","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=379"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/379\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=379"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=379"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=379"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}