{"id":3774,"date":"2012-06-28T10:12:16","date_gmt":"2012-06-28T17:12:16","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=3774"},"modified":"2012-06-28T10:12:16","modified_gmt":"2012-06-28T17:12:16","slug":"mercy-mercy-mercy","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2012\/06\/mercy-mercy-mercy\/","title":{"rendered":"Mercy, Mercy, Mercy"},"content":{"rendered":"<p><div style=\"text-align: center;\">Because it\u00e2\u20ac\u2122s been too long since you\u00e2\u20ac\u2122ve heard it\u00e2\u20ac\u00a6<\/iframe><\/div>\n<p>\n<div style=\"text-align: center;\"><iframe loading=\"lazy\" width=\"440\" height=\"355\" src=\"http:\/\/www.youtube.com\/embed\/pRrFWp4DUho\" frameborder=\"0\" allowfullscreen><\/iframe><\/iframe><\/div>\n<p><p>Cannonball Adderley, alto saxophone; Nat Adderley, cornet; Joe Zawinul, piano; Victor Gaskin, bass; Roy McCurdy, drums. Los Angeles, October 20, 1966.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Because it\u00e2\u20ac\u2122s been too long since you\u00e2\u20ac\u2122ve heard it\u00e2\u20ac\u00a6 Cannonball Adderley, alto saxophone; Nat Adderley, cornet; Joe Zawinul, piano; Victor Gaskin, bass; Roy McCurdy, drums. Los Angeles, October 20, 1966.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-3774","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3774","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=3774"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3774\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=3774"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=3774"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=3774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}