{"id":375,"date":"2006-02-07T01:04:00","date_gmt":"2006-02-07T09:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=375"},"modified":"2006-02-07T01:04:00","modified_gmt":"2006-02-07T09:04:00","slug":"computer_and_travel_report","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/02\/computer_and_travel_report\/","title":{"rendered":"Computer And Travel Report"},"content":{"rendered":"<p>The digital doctor and his aide have ministered to my invaluable, but not irreplaceable, electronic assistant, Mr. Dell. &#8216;Ol Dell is feeling considerably perkier and moving from task to task with dispatch. I think he&#8217;ll make it, after all.  (Hat in the air. Spin Around. Big smile. Music up and out.) If you don&#8217;t get that, you haven&#8217;t watched the right reruns lately.<br \/>\nSpeaking of up and out, I&#8217;m headed over the mountains to Seattle today to transact a bit of business and listen to the <a href=\"http:\/\/www.mariaschneider.com\/\"target=:_blank\">Maria Schneider Orchestra <\/a>at <a href=\"http:\/\/www.jazzalley.org\/\"target=\"_blank\">Jazz Alley<\/a>. I just learned from Jon Wikan that he will be adding his <a href=\"http:\/\/www.rhythmweb.com\/cajon\/\"target=\"_blank\">cajon <\/a>to the rhythm section, bringing the size of the band to twenty. There must be staggering economics involved in transporting a big band from New York to the west, then up and down the coast. I&#8217;m glad that it can still be done.<br \/>\nThere will be no new posts for a couple of days; I&#8217;m traveling sans laptop.  I&#8217;ll plan to publish a report on the performance when I return to duty.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The digital doctor and his aide have ministered to my invaluable, but not irreplaceable, electronic assistant, Mr. Dell. &#8216;Ol Dell is feeling considerably perkier and moving from task to task with dispatch. I think he&#8217;ll make it, after all. (Hat in the air. Spin Around. Big smile. Music up and out.) If you don&#8217;t get [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-375","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/375","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=375"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/375\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=375"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=375"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=375"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}