{"id":37,"date":"2005-06-20T01:04:30","date_gmt":"2005-06-20T08:04:30","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=37"},"modified":"2005-06-20T01:04:30","modified_gmt":"2005-06-20T08:04:30","slug":"someone_to_crow_about","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2005\/06\/someone_to_crow_about\/","title":{"rendered":"Someone To Crow About"},"content":{"rendered":"<p>Don&#8217;t miss DevraDoWrite&#8217;s update on Bill Crow, bassist, anecdotist, musicians&#8217; champion and good guy. Excerpt:<\/p>\n<blockquote><p>Bill Crow was a musical chameleon in his youth, playing trumpet, baritone horn, alto sax drums, and valve trombone. He didn\u00e2\u20ac\u2122t take up the bass until he was in his early 20s. Within a few years he was playing bass with Stan Getz, Marian McPartland, and Gerry Mulligan, to name just three, and he never looked back.<\/p><\/blockquote>\n<p>Read the whole thing, and see a great recent picture of Bill, <a href=\"http:\/\/devradowrite.com\/\"target=\"_blank\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Don&#8217;t miss DevraDoWrite&#8217;s update on Bill Crow, bassist, anecdotist, musicians&#8217; champion and good guy. Excerpt: Bill Crow was a musical chameleon in his youth, playing trumpet, baritone horn, alto sax drums, and valve trombone. He didn\u00e2\u20ac\u2122t take up the bass until he was in his early 20s. Within a few years he was playing bass [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-37","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/37","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=37"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/37\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=37"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=37"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=37"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}