{"id":3690,"date":"2012-06-01T15:52:50","date_gmt":"2012-06-01T22:52:50","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=3690"},"modified":"2012-06-01T15:52:50","modified_gmt":"2012-06-01T22:52:50","slug":"rhythm-on-my-heels","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2012\/06\/rhythm-on-my-heels\/","title":{"rendered":"Rhythm On My Heels"},"content":{"rendered":"

\"\"<\/a>The central characters in the new Czech film Rhythm On My Heels<\/em> are young jazz musicians and their friends. They are ensnared in a plot by the communist party\u00e2\u20ac\u2122s intelligence wing to concoct a case branding them anti-communist activitsts. This powerful film is directed by Andrea Sedl\u00c3\u00a1\u00c4\u008dkov\u00c3\u00a1 and acted by a vibrant cast. It is based on Josef \u00c5\u00a0kvoreck\u00c3\u00bds book The Tenor Saxophonist\u00e2\u20ac\u2122s Story<\/a>. Many in the audience for last night\u00e2\u20ac\u2122s screening at Seattle\u00e2\u20ac\u2122s Town Hall lived through the communist occupation of Czechoslovakia (1948-1990). The emotions of that debilitating period of the nation\u00e2\u20ac\u2122s history showed in their faces as they watched the film, which was shot on location in Prague. This paragraph is from the program for a screening last week in New York.<\/p>\n

The story takes place in Czechoslovakia in the fifties and is \u00e2\u20ac\u0153a musical tragedy\u00e2\u20ac\u009d about love. Main character Danny is the alter ego of Josef Skvorecky himself. Danny is passionate about beautiful girls and jazz, but at the wrong time in a country where communist regime considers this music be way too imperialistic for young people. Danny and his friends form a jazz band and try to live a normal life in a strange world, where one\u00e2\u20ac\u2122s destiny is shaped by politics, secret police and undercover agents who might as well be those beautiful girls.<\/p><\/blockquote>\n

\"\"<\/a>Screened at international film festivals, the film had showings this week in Los \"\"<\/a>Angeles, San Francisco and Seattle. Pianist Emil Viklick\u00c3\u00bd, who composed the soundtrack, attended the screening and followed it with a concertby his trio. Six of the young actors from the film joined them to sing the title song and other music from the score. They are Vojtech Dyk, Jan Meduna, Berenika Kohoutova, Marika Soposka and Margareta Hruza. Ms. Kohutova (pictured) also sang a few standards. She has the potential to become a superior jazz vocalist. \"\"<\/a><\/p>\n

\"\"<\/a>Bassist Clipper Anderson and drummer Don Kinney rounded out the Viklick\u00c3\u00bd rhythm section. To read about their concert on a previous US visit by Viklick\u00c3\u00bd, click here<\/a>. To read about his connection with \u00c5\u00a0kvoreck\u00c3\u00bd, go here<\/a>.<\/p>\n

\n

Wayne Jehlik, the Czech consul in Seattle, reports that efforts are afoot to arrange for US distribution of a DVD of Rhythm On My Heels<\/em>. For its dramatic content, acting, Ms. Sedl\u00c3\u00a1\u00c4\u008dkov\u00c3\u00a1\u00e2\u20ac\u2122s directing and Viklick\u00c3\u00bd\u00e2\u20ac\u2122s vivid music, the film is worthy of theatrical release here. <\/p>\n","protected":false},"excerpt":{"rendered":"

The central characters in the new Czech film Rhythm On My Heels are young jazz musicians and their friends. They are ensnared in a plot by the communist party\u00e2\u20ac\u2122s intelligence wing to concoct a case branding them anti-communist activitsts. This powerful film is directed by Andrea Sedl\u00c3\u00a1\u00c4\u008dkov\u00c3\u00a1 and acted by a vibrant cast. It is […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-3690","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3690","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=3690"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3690\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=3690"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=3690"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=3690"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}