{"id":3591,"date":"2012-04-28T00:14:35","date_gmt":"2012-04-28T07:14:35","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=3591"},"modified":"2012-04-28T00:18:33","modified_gmt":"2012-04-28T07:18:33","slug":"a-blues-by-bird","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2012\/04\/a-blues-by-bird\/","title":{"rendered":"A Blues By Bird"},"content":{"rendered":"<p>I couldn&#8217;t find a Parker recording of a blues in the key of A to follow the Ted Williams story. Let&#8217;s settle for E-flat. Here&#8217;s Bird with Al Haig, piano; Percy Heath, bass; and Max Roach, drums, recorded in 1953, the same year as the Bee Hive gig in Chicago.<\/p>\n<div style=\"text-align: center;\"><iframe loading=\"lazy\" width=\"440\" height=\"355\" src=\"http:\/\/www.youtube.com\/embed\/ADTJOZzz0ME\" frameborder=\"0\" allowfullscreen><\/iframe><\/iframe><\/div>\n<p><p>Have a good weekend.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I couldn&#8217;t find a Parker recording of a blues in the key of A to follow the Ted Williams story. Let&#8217;s settle for E-flat. Here&#8217;s Bird with Al Haig, piano; Percy Heath, bass; and Max Roach, drums, recorded in 1953, the same year as the Bee Hive gig in Chicago. Have a good weekend.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-3591","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3591","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=3591"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3591\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=3591"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=3591"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=3591"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}