{"id":3546,"date":"2012-04-17T22:15:24","date_gmt":"2012-04-18T05:15:24","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=3546"},"modified":"2012-04-17T22:42:14","modified_gmt":"2012-04-18T05:42:14","slug":"readers-choices-2012-1","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2012\/04\/readers-choices-2012-1\/","title":{"rendered":"Readers Choices, 2012 (1)"},"content":{"rendered":"

Responses to the invitation in the previous post are arriving in sizeable batches. Briefly, the idea is for you to let the rest of us know what you\u00e2\u20ac\u2122ve\"\"<\/a> been listening to. How to do that? The April 15 post tells you to use the \u00e2\u20ac\u0153Contact Me\u00e2\u20ac\u009d link at the top of this page. Remember to include your name and location.<\/p>\n

It takes time for the staff to develop links for those who want to investigate the music mentioned by fellow readers, so please be patient if your list has not yet appeared. Here are some of the first responses. <\/p>\n

George Colligan, Living For The City<\/em><\/a>.
\nMaria Bethania Sings The Vinicius De Moraes Songbook<\/a>.
\nThe track, “Paris In Blue” by Jackie Paris with Charles Mingus<\/a>.
\nA homemade CD containing pretty much every single recorded by Mark Murphy<\/a> in the late 1950s and early 1960s. (The link may take you to some of them—DR)
\nCha Cha
\nAstoria, Queens, New York<\/strong><\/p><\/blockquote>\n

Einojuhani Rautavaara, Cantus Arcticus<\/em><\/a> & 3rd Symphony<\/em><\/a>.
\nJens Buchert, compilation of electronic mood music<\/a>.
\nWagner, Meistersinger von Nuremberg<\/em><\/a>, cond: Kubelik.
\nMiles Davis, In a Silent Way<\/em><\/a>.
\nLeo Ferre, La Vie d’Artiste<\/em><\/a>.
\nChristopher St. Clair<\/strong><\/p><\/blockquote>\n

Billie Holiday, Lady In Satin<\/a>.
\nStan Getz, Focus<\/a>.
\nKenny Harris,
\nSuffolk, UK<\/strong>\n<\/p><\/blockquote>\n

Roland Hanna: Colors From a Giant’s Kit.<\/a>
\nEvan Weiss: Math or Magic.<\/a>
\nDavid Perrine<\/strong><\/p><\/blockquote>\n

Tierney Sutton, On The Other Side.<\/a>
\nRenee Rosnes with strings, Without Words.<\/a>
\nPaul Desmond Quartet, Live<\/em> <\/a>(in Toronto)
\nJimmy Owens, The Monk Project.<\/a>
\nCharlie Parker with Lennie Tristano,Complete Recordings.<\/em> (Here’s the link<\/a>, but don\u00e2\u20ac\u2122t get your hopes up. It’s out of print.—DR)
\nLoudon Wainwright III, 40 Odd Years.<\/em><\/a> (box set)
\nJon Foley,
\nScenic Petaluma, CA, USA<\/strong><\/p><\/blockquote>\n

We’ll have more listeners’ reports soon——maybe even tomorrow.<\/p>\n","protected":false},"excerpt":{"rendered":"

Responses to the invitation in the previous post are arriving in sizeable batches. Briefly, the idea is for you to let the rest of us know what you\u00e2\u20ac\u2122ve been listening to. How to do that? The April 15 post tells you to use the \u00e2\u20ac\u0153Contact Me\u00e2\u20ac\u009d link at the top of this page. Remember to […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-3546","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3546","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=3546"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3546\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=3546"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=3546"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=3546"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}