{"id":3527,"date":"2012-04-11T16:48:37","date_gmt":"2012-04-11T23:48:37","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=3527"},"modified":"2012-04-11T16:48:37","modified_gmt":"2012-04-11T23:48:37","slug":"its-spring-after-all","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2012\/04\/its-spring-after-all\/","title":{"rendered":"It&#8217;s Spring, After All"},"content":{"rendered":"<p>The apricot tree is in blossom and the daffodils are daffodilling.<\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/04\/Spring-2012.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/04\/Spring-2012.jpg\" alt=\"\" title=\"Spring 2012\" width=\"400\" height=\"300\" class=\"aligncenter size-full wp-image-3528\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/04\/Spring-2012.jpg 400w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/04\/Spring-2012-300x225.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a><\/p>\n<p><p>\nThe <em>Rifftides<\/em> staff hopes that it&#8217;s nice where you are, too.<\/p>\n<p>\n<div style=\"text-align: center;\"><iframe loading=\"lazy\" width=\"440\" height=\"355\" src=\"http:\/\/www.youtube.com\/embed\/BZdMFdjY-jc\" frameborder=\"0\" allowfullscreen><\/iframe><\/iframe><\/div>\n<p><p>Getz from <a href=\"http:\/\/www.amazon.com\/Spring-Is-Here-Stan-Getz\/dp\/B0000006KK\/?_encoding=UTF8&#038;tag=rifftidougram-20&#038;linkCode=ur2&#038;camp=1789&#038;creative=9325\"target=\"_blank\">an album<\/a> recorded in his late period, with Lou Levy, piano; Monty Budwig, bass; and Victor Lewis, drums. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>The apricot tree is in blossom and the daffodils are daffodilling. The Rifftides staff hopes that it&#8217;s nice where you are, too. Getz from an album recorded in his late period, with Lou Levy, piano; Monty Budwig, bass; and Victor Lewis, drums.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-3527","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3527","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=3527"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3527\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=3527"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=3527"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=3527"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}