{"id":3505,"date":"2012-04-03T23:04:02","date_gmt":"2012-04-04T06:04:02","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=3505"},"modified":"2012-04-03T23:29:11","modified_gmt":"2012-04-04T06:29:11","slug":"cd-matthew-shipp","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2012\/04\/cd-matthew-shipp\/","title":{"rendered":"CD: Matthew Shipp"},"content":{"rendered":"<p><strong>Mathew Shipp<\/strong>, <a href=\" http:\/\/www.amazon.com\/Elastic-Aspects-Matthew-Shipp\/dp\/B006UFHDCM\/?_encoding=UTF8&#038;s=music&#038;tag=rifftidougram-20&#038;linkCode=ur2&#038;qid=1333513787&#038;camp=1789&#038;sr=1-1&#038;creative=9325\"target=\"_blank\"><em>Elastic Aspects<\/em><\/a> (Thirsty Ear)<\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/04\/Shipp-Elastic.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/04\/Shipp-Elastic.jpg\" alt=\"\" title=\"Shipp Elastic\" width=\"120\" height=\"120\" class=\"alignleft size-full wp-image-3506\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/04\/Shipp-Elastic.jpg 120w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/04\/Shipp-Elastic-70x70.jpg 70w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/04\/Shipp-Elastic-110x110.jpg 110w\" sizes=\"auto, (max-width: 120px) 100vw, 120px\" \/><\/a>The first track of the pianist\u00e2\u20ac\u2122s album has no piano, just bassist Michael Bisio bowing and drummer Whit Dickey generating sepulchral sounds with mallets on cymbals. The second track is a few seconds of Shipp unaccompanied in what might be heard as late Debussy. With the third track, the trio is off and running with a kind pointillist post-bop, a suggestion of Bud Powell\u00e2\u20ac\u2122s \u00e2\u20ac\u0153Un Poco Loco,\u00e2\u20ac\u009d lots of interaction and mutual improvisation. This being Shipp, however, a pattern has not been set. Throughout, whatever the listener may be expecting next is unlikely to be what happens&#151;unless he is expecting surprises. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mathew Shipp, Elastic Aspects (Thirsty Ear) The first track of the pianist\u00e2\u20ac\u2122s album has no piano, just bassist Michael Bisio bowing and drummer Whit Dickey generating sepulchral sounds with mallets on cymbals. The second track is a few seconds of Shipp unaccompanied in what might be heard as late Debussy. With the third track, the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-3505","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3505","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=3505"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3505\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=3505"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=3505"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=3505"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}