{"id":3503,"date":"2012-04-03T23:05:58","date_gmt":"2012-04-04T06:05:58","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=3503"},"modified":"2012-04-03T23:29:55","modified_gmt":"2012-04-04T06:29:55","slug":"cd-mike-wofford-holly-hofmann","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2012\/04\/cd-mike-wofford-holly-hofmann\/","title":{"rendered":"CD: Mike Wofford &#038; Holly Hofmann"},"content":{"rendered":"<p><strong>Mike Wofford\/Holly Hofmann<\/strong>, <a href=\"http:\/\/www.amazon.com\/Signal-Wofford-Holly-Hofmann-Quintet\/dp\/B005RYGSVE\/?_encoding=UTF8&#038;s=music&#038;tag=rifftidougram-20&#038;linkCode=ur2&#038;qid=1333508510&#038;camp=1789&#038;sr=1-1&#038;creative=9325\"target=\"_blank\"><em>Turn Signal<\/em> <\/a>(Capri)<\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/04\/Wofford-Hofmann.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/04\/Wofford-Hofmann.jpg\" alt=\"\" title=\"Wofford Hofmann\" width=\"120\" height=\"120\" class=\"alignleft size-full wp-image-3504\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/04\/Wofford-Hofmann.jpg 120w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/04\/Wofford-Hofmann-70x70.jpg 70w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/04\/Wofford-Hofmann-110x110.jpg 110w\" sizes=\"auto, (max-width: 120px) 100vw, 120px\" \/><\/a>Pianist Wofford\u00e2\u20ac\u2122s and flutist Hofmann\u00e2\u20ac\u2122s quintet set is notable for variety, rich  textures and harmonies, and depth of feeling. In conception and sound, trumpeter Terell Stafford blends beautifully with them.  Bassist Rob Thorsen and drummer Richard Sellers are strong and flexible in support. Among the highlights are Wofford\u00e2\u20ac\u2122s \u00e2\u20ac\u0153The Dipper,\u00e2\u20ac\u009d a Horace Silver tribute that evokes Silver\u00e2\u20ac\u2122s writing and playing; Stafford\u00e2\u20ac\u2122s powerful solo on Jimmy Forrest\u00e2\u20ac\u2122s \u00e2\u20ac\u0153Soul Street;\u00e2\u20ac\u009d Hofmann\u00e2\u20ac\u2122s drive and headlong swing on her \u00e2\u20ac\u0153M-Line;\u00e2\u20ac\u009d and Wofford\u00e2\u20ac\u2122s homage to Richard Twardzik in \u00e2\u20ac\u0153The Girl From Greenland.\u00e2\u20ac\u009d This is an album of enduring value. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mike Wofford\/Holly Hofmann, Turn Signal (Capri) Pianist Wofford\u00e2\u20ac\u2122s and flutist Hofmann\u00e2\u20ac\u2122s quintet set is notable for variety, rich textures and harmonies, and depth of feeling. In conception and sound, trumpeter Terell Stafford blends beautifully with them. Bassist Rob Thorsen and drummer Richard Sellers are strong and flexible in support. Among the highlights are Wofford\u00e2\u20ac\u2122s \u00e2\u20ac\u0153The [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-3503","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3503","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=3503"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3503\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=3503"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=3503"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=3503"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}