{"id":350,"date":"2006-01-23T01:02:00","date_gmt":"2006-01-23T09:02:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=350"},"modified":"2006-01-23T01:02:00","modified_gmt":"2006-01-23T09:02:00","slug":"jeremy_steig","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/01\/jeremy_steig\/","title":{"rendered":"Jeremy Steig"},"content":{"rendered":"<p><a href=\"http:\/\/www.artsjournal.com\/rifftides\/archives\/2005\/12\/zeitgeist_1.html\"target=\"_blank\">Our posting<\/a> about pianist Denny Zeitlin\u00e2\u20ac\u2122s recording debut on Jeremy Steig\u00e2\u20ac\u2122s 1963 <em>Flute Fever<\/em> coincided with critic Owen Cordle\u00e2\u20ac\u2122s review in the Raleigh <em>News and Observer<\/em> of a rarity, a new CD by the flutist. Sample sentence:<\/p>\n<blockquote><p>Steig is a busy soloist, and his tonal palette ranges from ravishing pure sounds to guitarlike overdriven grunge. <\/p><\/blockquote>\n<p>To read the whole thing, <a href=\"http:\/\/www.newsobserver.com\/697\/story\/374172.html\"target=\"_blank\">go here<\/a>.<br \/>\nZeitlin apparently has a cache of <em>Flute Fever<\/em> LPs and offers them <a href=\"http:\/\/www.dennyzeitlin.com\/DZ_CDs_Flutefever.php\"target=\"_blank\">for sale on his web site,<\/a> autographed, for fifteen dollars&#8230;a low price for a collectors item.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Our posting about pianist Denny Zeitlin\u00e2\u20ac\u2122s recording debut on Jeremy Steig\u00e2\u20ac\u2122s 1963 Flute Fever coincided with critic Owen Cordle\u00e2\u20ac\u2122s review in the Raleigh News and Observer of a rarity, a new CD by the flutist. Sample sentence: Steig is a busy soloist, and his tonal palette ranges from ravishing pure sounds to guitarlike overdriven grunge. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-350","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/350","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=350"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/350\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=350"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=350"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=350"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}