{"id":344,"date":"2006-01-25T14:52:37","date_gmt":"2006-01-25T22:52:37","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=344"},"modified":"2006-01-25T14:52:37","modified_gmt":"2006-01-25T22:52:37","slug":"compatible_quotes_7","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/01\/compatible_quotes_7\/","title":{"rendered":"Compatible Quotes"},"content":{"rendered":"<blockquote><p>A man may write at any time, if he will set himself doggedly to it.<\/p><\/blockquote>\n<blockquote><p> \u00e2\u20ac\u201dSamuel Johnson<\/p><\/blockquote>\n<blockquote><p>No writer ever truly succeeds. The disparity between the work conceived and the work completed is always too great and the writer merely achieves an acceptable degree of failure.<\/p><\/blockquote>\n<blockquote><p>  \u00e2\u20ac\u201dPhillip Caputo<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>A man may write at any time, if he will set himself doggedly to it. \u00e2\u20ac\u201dSamuel Johnson No writer ever truly succeeds. The disparity between the work conceived and the work completed is always too great and the writer merely achieves an acceptable degree of failure. \u00e2\u20ac\u201dPhillip Caputo<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-344","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/344","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=344"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/344\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=344"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=344"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}