{"id":343,"date":"2006-02-06T01:04:00","date_gmt":"2006-02-06T09:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=343"},"modified":"2006-02-06T01:04:00","modified_gmt":"2006-02-06T09:04:00","slug":"comment_odd_couples","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/02\/comment_odd_couples\/","title":{"rendered":"Comment: Odd Couples"},"content":{"rendered":"<blockquote><p>Might the moral of the &#8220;Odd Couple&#8221; series be that in jazz there are no odd couples\u00e2\u20ac\u201dthat the very nature of jazz allows for nearly infinite combination?<br \/>\n\u00e2\u20ac\u201dTerry Teachout<\/p><\/blockquote>\n<p>Yes.<br \/>\nThis is TT&#8217;s birthday, a momentous one, as you&#8217;ll see <a href=\"http:\/\/www.artsjournal.com\/aboutlastnight\/index.shtml\"target=\"_blank\">if you go here.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Might the moral of the &#8220;Odd Couple&#8221; series be that in jazz there are no odd couples\u00e2\u20ac\u201dthat the very nature of jazz allows for nearly infinite combination? \u00e2\u20ac\u201dTerry Teachout Yes. This is TT&#8217;s birthday, a momentous one, as you&#8217;ll see if you go here.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-343","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/343","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=343"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/343\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=343"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=343"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}