{"id":338,"date":"2006-02-06T01:02:00","date_gmt":"2006-02-06T09:02:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=338"},"modified":"2006-02-06T01:02:00","modified_gmt":"2006-02-06T09:02:00","slug":"comment_brubecks_mass","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/02\/comment_brubecks_mass\/","title":{"rendered":"Comment: Brubeck&#8217;s Mass"},"content":{"rendered":"<p>Blogger John Salmon of <em>Magritte&#8217;s Apple<\/em> writes a followup to the recent <a href=\"http:\/\/www.artsjournal.com\/rifftides\/archives\/2006\/02\/a_dave_brubeck_1.html\"target=\"_blank\">review of a Dave Brubeck concert<\/a>:<\/p>\n<blockquote><p>I did a little <a href=\"http:\/\/magrittejbs.blogspot.com\/2006\/01\/go-to-church-and-hear-dave-brubeck.html\"target=\"_blank\">review of Dave&#8217;s Mass<\/a> the other day.<br \/>\nRandy Jones and Bobby Militello are veterans of the Maynard Ferguson band, one of jazz&#8217;s great farm teams. When Bobby was on MF&#8217;s band he played baritone (and some flute); it&#8217;s nice to see that with Dave he gets to play an instrument that won&#8217;t wreck his back.<br \/>\nI&#8217;m wondering if others find themselves enjoying Brubeck&#8217;s playing more today than in the classic quartet days? He does seem to rely more on single note lines, but I&#8217;m not sure his playing has changed as much as my tastes have.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Blogger John Salmon of Magritte&#8217;s Apple writes a followup to the recent review of a Dave Brubeck concert: I did a little review of Dave&#8217;s Mass the other day. Randy Jones and Bobby Militello are veterans of the Maynard Ferguson band, one of jazz&#8217;s great farm teams. When Bobby was on MF&#8217;s band he played [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-338","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/338","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=338"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/338\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=338"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=338"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=338"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}