{"id":337,"date":"2006-02-06T01:01:00","date_gmt":"2006-02-06T09:01:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=337"},"modified":"2006-02-06T01:01:00","modified_gmt":"2006-02-06T09:01:00","slug":"comment_broadbent_cd","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/02\/comment_broadbent_cd\/","title":{"rendered":"Comment: Broadbent CD"},"content":{"rendered":"<blockquote><p>Thanks in  DOUGS PICKS for recommending the superb album &#8220;&#8216;Round Midnight&#8221; by Alan Broadbent.  Broadbent doesn&#8217;t overwhelm with technique for its own sake, but his measured and tasteful playing remain with you.<\/p><\/blockquote>\n<blockquote><p>However, if its &#8220;chops&#8221; you want, listen to the blistering performance on &#8220;The Man I Love&#8221;. I was also particularly struck with Joe LaBarbera&#8217;s tasteful and swinging playing throughout. One underrated drummer. <\/p><\/blockquote>\n<blockquote><p>A class album that, without your recommendation, would have passed me by.<\/p><\/blockquote>\n<blockquote><p>Don Emanuel<br \/>\n<br \/>Kent, UK<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Thanks in DOUGS PICKS for recommending the superb album &#8220;&#8216;Round Midnight&#8221; by Alan Broadbent. Broadbent doesn&#8217;t overwhelm with technique for its own sake, but his measured and tasteful playing remain with you. However, if its &#8220;chops&#8221; you want, listen to the blistering performance on &#8220;The Man I Love&#8221;. I was also particularly struck with Joe [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-337","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/337","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=337"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/337\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=337"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=337"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=337"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}