{"id":3367,"date":"2012-02-18T00:51:38","date_gmt":"2012-02-18T08:51:38","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=3367"},"modified":"2012-02-18T00:51:38","modified_gmt":"2012-02-18T08:51:38","slug":"odds-and-ends-3","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2012\/02\/odds-and-ends-3\/","title":{"rendered":"Odds And Ends"},"content":{"rendered":"<p><strong>Correspondence<\/strong><\/p>\n<p><em>Rifftides<\/em> reader George McCord writes:<\/p>\n<blockquote><p>..I was wondering..I read that Brubeck put in a contract that whilst Desmond was playing with the group he could not record with another<a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/02\/Desmond-Brubeck.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-3369\" title=\"Desmond, Brubeck\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/02\/Desmond-Brubeck.jpg\" alt=\"\" width=\"130\" height=\"209\" \/><\/a> piano player&#8230;I find that hard to believe..<\/p><\/blockquote>\n<p>Brubeck and Desmond had no written contract. They had a handshake agreement throughout the life of the quartet. As a practical matter, they concluded that if Desmond recorded with another pianist, it would confuse matters. After the quartet disbanded, Desmond recorded with other pianists, including Herbie Hancock, Bob James, Roland Hanna and Kenny Barron.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Sympathetic Reaction<\/strong><\/p>\n<p>This is one of the anecdotes in the current edition of Bill Crow\u00e2\u20ac\u2122s The Band Room column in <em>Allegro<\/em>, the New York American Federation of Musicians Local 802 newspaper.<\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/02\/Holman-smiling.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-3370\" title=\"Holman smiling\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/02\/Holman-smiling.jpg\" alt=\"\" width=\"130\" height=\"130\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/02\/Holman-smiling.jpg 130w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/02\/Holman-smiling-70x70.jpg 70w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/02\/Holman-smiling-110x110.jpg 110w\" sizes=\"auto, (max-width: 130px) 100vw, 130px\" \/><\/a><\/p>\n<blockquote><p>Tim Wendt used to sub on Bill Holman\u00e2\u20ac\u2122s band in Los Angeles. Bill rehearsed at the Local 47 union hall every Thursday. At one rehearsal, jut before counting off the first tune, Bill announced that the band would be taking a few weeks off. \u00e2\u20ac\u0153I was at my doctor yesterday for an exam, and I need to get a pacemaker installed because, apparently my heart occasionally skips a beat.\u00e2\u20ac\u009d<\/p>\n<p>Pete Christlieb quickly said, \u00e2\u20ac\u0153Gee, that\u00e2\u20ac\u2122s too bad. Well, guys, let\u00e2\u20ac\u2122s play. Ready? Here we go\u00e2\u20ac\u00a6One, two, FOUR!\u00e2\u20ac\u009d<\/p>\n<p>Tim says they couldn\u00e2\u20ac\u2122t play for the next ten minutes.<\/p><\/blockquote>\n<p>This month, Bill includes a remembrance of his friend Bob Brookmeyer. To read the entire column, <a href=\"http:\/\/www.local802afm.org\/\" target=\"_blank\">go here<\/a>, click on \u00e2\u20ac\u0153Allegro,\u00e2\u20ac\u009d and scroll down.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Brookmeyer Service<\/strong><\/p>\n<p>We have had inquiries about memorial services for Brookmeyer. His friend and colleague Bill Kirchner is making arrangements and sent this announcement.<\/p>\n<blockquote><p>As many of you know, valve trombonist\/composer\/arranger Bob Brookmeyer died on December 15, 2011, four days short of his 82nd birthday.<a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/02\/Brookmeyer.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-3373\" title=\"Brookmeyer\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/02\/Brookmeyer.jpg\" alt=\"\" width=\"130\" height=\"73\" \/><\/a><br \/>\nA memorial will be held at St. Peter&#8217;s Lutheran Church (E. 54th St. between 3rd and Lexington Avenues) in New York City on Wednesday, April 11, from 6:30 to 9:30 p.m. A reception will follow immediately afterward at the church.<\/p>\n<p>That evening, Bob&#8217;s music will be played by the Vanguard Jazz Orchestra (for which he wrote for over 40 years) and a couple of small groups. There will also be a number of distinguished speakers.<\/p>\n<p>I&#8217;m the coordinator of this event, so any inquiries can be directed to me: kirch@mindspring.com<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><strong>Weekend Listening Tip From Jim Wilke<\/strong><\/p>\n<p>Thomas Marriott Quartet on Jazz Northwest, Sunday, February 19. (1 PM on 88.5 KPLU)<\/p>\n<blockquote><p>Seattle trumpet player and band leader Thomas Marriott has established an international reputation, toured widely, played on dozens of albums and led seven of his own. Several of his Origin CDs have landed in top ten lists and are played by radio stations across the US. His hometown appearances <a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/02\/Tom-Marriott.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-3374\" title=\"Tom Marriott\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/02\/Tom-Marriott.jpg\" alt=\"\" width=\"130\" height=\"87\" \/><\/a>are always popular, too, and this Sunday at 1 PM PST on Jazz Northwest (88.5 KPLU) his quartet can be heard in a performance recorded at Tula&#8217;s in Seattle last week.<\/p>\n<p>Joining Thomas Marriott on this program are Bill Anschell, piano, Jeff Johnson, bass and John Bishop on drums. They play three originals composed by Thomas as well as two standards in this performance in front of a capacity audience at Tula&#8217;s in Seattle.<\/p>\n<p>Jazz Northwest is recorded and produced by Jim Wilke exclusively for 88.5 KPLU. The program airs each Sunday at 1 PM and is available as a podcast from <a href=\"http:\/\/www.kplu.org\" target=\"_blank\">kplu.org<\/a>.\n<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><strong>Kolakowski\u00e2\u20ac\u2122s Chopin Scherzo Is No Joke<\/strong><\/p>\n<p>The bright young Polish pianist Mateusz Kolakowski is as devoted to Chopin as he is to jazz. He demonstrates in this performance combining his two loves.<\/p>\n<div style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/Krge6YvGFeA\" frameborder=\"0\" width=\"440\" height=\"355\"><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<p><strong>Holiday And Basie<\/strong><\/p>\n<p>There is little film of Count Basie and Billie Holiday together. Here they are in 1950, Basie\u00e2\u20ac\u2122s sextet days.<\/p>\n<div style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/C16m8rfFwmY\" frameborder=\"0\" width=\"440\" height=\"355\"><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<p>Have a good weekend<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Correspondence Rifftides reader George McCord writes: ..I was wondering..I read that Brubeck put in a contract that whilst Desmond was playing with the group he could not record with another piano player&#8230;I find that hard to believe.. Brubeck and Desmond had no written contract. They had a handshake agreement throughout the life of the quartet. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-3367","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3367","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=3367"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3367\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=3367"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=3367"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=3367"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}