{"id":33,"date":"2005-06-20T01:03:53","date_gmt":"2005-06-20T08:03:53","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=33"},"modified":"2005-06-20T01:03:53","modified_gmt":"2005-06-20T08:03:53","slug":"other_matters","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2005\/06\/other_matters\/","title":{"rendered":"Other Matters"},"content":{"rendered":"

This may be a subject better suited to Nancy Levinson\u00e2\u20ac\u2122s Pixel Points<\/a> than to Rifftides, but here goes: what has happened to house design? I don\u00e2\u20ac\u2122t mean high-end design by top-rung architects working with wealthy clients, but design of houses for ordinary folks. Not far from where I live, a small orchard has disappeared\u00e2\u20ac\u201dalmost overnight, it seems\u00e2\u20ac\u201dand been replaced by a half-dozen houses that will probably sell for a couple of hundred thousand dollars each. They are builder houses, not so much designed as extruded; featureless, bland, sited cheek-by-jowl on their lots with their backs to views, their fronts looking at each other across a cul de sac, two of the four walls devoid of windows except for tiny ones looking out of bathrooms. The forbidding doors of two-car garages dominate the house fronts. Variations on this depressing theme characterize a high percentage of new housing built in the United States.
\nIn contrast, a mile or so away, is a three-acre former farm also now populated with houses. Those houses were bought by an entrepeneur and moved there when a hospital expanded and forced them out. They appear to have been built in the late 1930s and forties, with light, openess and welcoming characteristics in mind. None of them is grand, but each is an individual. Some are on a new curving short street, others face a busy thoroughfare. Together, they have the friendly aspect of a village. The houses on the old orchard land have all the charm of a clump of prefab classrooms on the back lot of an overcrowded high school.
\nIn their book A Pattern Language<\/em><\/a> (Oxford), Christopher Alexander and his fellow architects of the Center for Environmental Structure long ago set out principles not only for design of houses but also of neighborhoods, towns and regions. A few headings from the book hint at what they suggest for dwellings:
\nLight on Two Sides of Every Room
\nOpening to the Street
\nConnection to the Earth
\nGarden Seat
\nSitting Circle
\nAlcoves
\nNatural Doors and Windows
\nLow Sill
\nPools of Light
\nFront Door Bench
\nWindows Which Open Wide
\nSmall Panes
\nFlow Through Rooms
\nLittle in A Pattern Language<\/em> is technical. Most of it is based in taste and common sense. Driving around new subdivisions, I can\u00e2\u20ac\u2122t help wondering about the supply of both among many of today\u00e2\u20ac\u2122s home homebuilders\u00e2\u20ac\u201dand why buyers settle for lousy design.<\/p>\n","protected":false},"excerpt":{"rendered":"

This may be a subject better suited to Nancy Levinson\u00e2\u20ac\u2122s Pixel Points than to Rifftides, but here goes: what has happened to house design? I don\u00e2\u20ac\u2122t mean high-end design by top-rung architects working with wealthy clients, but design of houses for ordinary folks. Not far from where I live, a small orchard has disappeared\u00e2\u20ac\u201dalmost overnight, […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-33","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/33","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=33"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/33\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=33"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=33"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=33"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}