{"id":327,"date":"2005-12-25T12:00:10","date_gmt":"2005-12-25T20:00:10","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=327"},"modified":"2005-12-25T12:00:10","modified_gmt":"2005-12-25T20:00:10","slug":"the_al_vuona_interview_rediviv","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2005\/12\/the_al_vuona_interview_rediviv\/","title":{"rendered":"The Al Vuona Interview Redivivus"},"content":{"rendered":"<p>A most satisfying encounter in the flurry of interviews at mid-year about <a href=\"http:\/\/www.parksidepublications.com\/takefive.html\"target=\"_blank\"><em>Take Five: The Public and Private Lives of Paul Desmond<\/em><\/a> was with Al Vuona of WICN-FM in Worcester, Massachusetts. The station has revived the program as part of its series <em>The Public Eye<\/em>. It is <a href=\"http:\/\/www.wicn.org\/programs\/archive2.htm\"target=\"_blank\">archived here<\/a> and available for listening on demand. Vuona is a good listener and a shrewd questioner. We had a fine time. Scroll to the bottom of the page and click on \u00e2\u20ac\u0153listen.\u00e2\u20ac\u009d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A most satisfying encounter in the flurry of interviews at mid-year about Take Five: The Public and Private Lives of Paul Desmond was with Al Vuona of WICN-FM in Worcester, Massachusetts. The station has revived the program as part of its series The Public Eye. It is archived here and available for listening on demand. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-327","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/327","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=327"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/327\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=327"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=327"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}