{"id":3230,"date":"2012-01-01T00:10:33","date_gmt":"2012-01-01T08:10:33","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=3230"},"modified":"2011-12-31T20:38:14","modified_gmt":"2012-01-01T04:38:14","slug":"cd-corea-gomez-motian","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2012\/01\/cd-corea-gomez-motian\/","title":{"rendered":"CD: Corea, Gomez, Motian"},"content":{"rendered":"<p><strong>Chick Corea, Eddie Gomez, Paul Motian<\/strong>, <a href=\"http:\/\/www.amazon.com\/Further-Explorations-Chick-Corea\/dp\/B005VR9AEE\/?_encoding=UTF8&#038;tag=rifftidougram-20&#038;linkCode=ur2&#038;camp=1789&#038;creative=9325\"target=\"_blank\"><em>Further Explorations<\/em><\/a> (Concord)<\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/Further-Explorations.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/Further-Explorations.jpg\" alt=\"\" title=\"Further Explorations\" width=\"130\" height=\"130\" class=\"alignleft size-full wp-image-3231\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/Further-Explorations.jpg 300w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/Further-Explorations-150x150.jpg 150w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/Further-Explorations-70x70.jpg 70w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/Further-Explorations-110x110.jpg 110w\" sizes=\"auto, (max-width: 130px) 100vw, 130px\" \/><\/a>The two-CD album is described in the notes as a \u00e2\u20ac\u0153template,\u00e2\u20ac\u009d a \u00e2\u20ac\u0153tabula rasa,\u00e2\u20ac\u009d rather than a tribute to Bill Evans. Nonetheless, Corea\u00e2\u20ac\u2122s encounter with two great Evans sidemen underlines Evans\u00e2\u20ac\u2122s profound influence on the development of the jazz piano trio and on Corea\u00e2\u20ac\u2122s own playing. Released less than a month following Motian\u00e2\u20ac\u2122s death at 80, the live recording from New York\u00e2\u20ac\u2122s Blue Note beautifully captures the drummer\u00e2\u20ac\u2122s freedom, swing and interaction. In pieces from Evans\u00e2\u20ac\u2122s repertoire and others by members of the trio, there is a spirit of adventure and, in Evans\u00e2\u20ac\u2122s newly found \u00e2\u20ac\u0153Song No. 1,\u00e2\u20ac\u009d the challenge of discovery.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Chick Corea, Eddie Gomez, Paul Motian, Further Explorations (Concord) The two-CD album is described in the notes as a \u00e2\u20ac\u0153template,\u00e2\u20ac\u009d a \u00e2\u20ac\u0153tabula rasa,\u00e2\u20ac\u009d rather than a tribute to Bill Evans. Nonetheless, Corea\u00e2\u20ac\u2122s encounter with two great Evans sidemen underlines Evans\u00e2\u20ac\u2122s profound influence on the development of the jazz piano trio and on Corea\u00e2\u20ac\u2122s own playing. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-3230","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3230","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=3230"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3230\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=3230"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=3230"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=3230"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}