{"id":323,"date":"2006-01-12T01:06:00","date_gmt":"2006-01-12T09:06:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=323"},"modified":"2006-01-12T01:06:00","modified_gmt":"2006-01-12T09:06:00","slug":"rowles_flanagan_garner_william","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/01\/rowles_flanagan_garner_william\/","title":{"rendered":"Rowles, Flanagan, Garner, Williams"},"content":{"rendered":"<p>After reading about <a href=\"http:\/\/www.artsjournal.com\/rifftides\/archives\/2006\/01\/jessicas_night_1.html\"target=\"_blank\">Jessica Williams\u00e2\u20ac\u2122s tribute to Erroll Garner<\/a> the other night, the nonpareil singer Carol Sloane sent this reminiscence of a summit meeting of pianists:<\/p>\n<blockquote><p>When Jessica Williams mentions both Tommy Flanagan and Errol Garner in the course of her set, it reminds me of a night in New York in the 1970&#8217;s.  I cooked dinner for Tommy and Diana Flanagan in the Greenwich Village apartment Jimmy Rowles and I shared.  With hundreds of recordings available to us after the meal, we all agreed to listen to Errol Garner.  Smiles all around.  Jimmy affectionately called him &#8220;Orch&#8221; because &#8220;he sounds like an orchestra!&#8221;<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>After reading about Jessica Williams\u00e2\u20ac\u2122s tribute to Erroll Garner the other night, the nonpareil singer Carol Sloane sent this reminiscence of a summit meeting of pianists: When Jessica Williams mentions both Tommy Flanagan and Errol Garner in the course of her set, it reminds me of a night in New York in the 1970&#8217;s. I [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-323","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/323","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=323"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/323\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=323"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=323"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}