{"id":3199,"date":"2011-12-20T18:36:25","date_gmt":"2011-12-21T02:36:25","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=3199"},"modified":"2011-12-20T18:36:25","modified_gmt":"2011-12-21T02:36:25","slug":"sloane-on-brookmeyer","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2011\/12\/sloane-on-brookmeyer\/","title":{"rendered":"Sloane On Brookmeyer"},"content":{"rendered":"<p>Carol Sloane posts infrequently on her blog, <em>Sloanview<\/em>. When she puts something up, it&#8217;s worth reading. Sloane and Bob Brookmeyer were close friends for a time. Her recollections of him are fond and frank. The piece is illustrated with a candid photo of the two of them, Jimmy Rowles and Tommy Flanagan. To read it <a href=\"http:\/\/sloaneview.blogspot.com\/\">go here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Carol Sloane posts infrequently on her blog, Sloanview. When she puts something up, it&#8217;s worth reading. Sloane and Bob Brookmeyer were close friends for a time. Her recollections of him are fond and frank. The piece is illustrated with a candid photo of the two of them, Jimmy Rowles and Tommy Flanagan. To read it [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-3199","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3199","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=3199"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3199\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=3199"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=3199"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=3199"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}