{"id":3180,"date":"2011-12-13T17:30:52","date_gmt":"2011-12-14T01:30:52","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=3180"},"modified":"2011-12-13T17:37:29","modified_gmt":"2011-12-14T01:37:29","slug":"when-bud-met-marian","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2011\/12\/when-bud-met-marian\/","title":{"rendered":"When Bud Met Marian"},"content":{"rendered":"<p>For the next few days&#151;at least&#151;<em>Rifftides<\/em> will be in semi-suspension while I face down a couple of deadlines. I should be able to tell you sometime next week about the more urgent one. In the meantime, the staff will continue to monitor and post your comments.  When possible, I will contribute a tidbit or two, starting now. <\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/Bud-Shank.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/Bud-Shank.jpg\" alt=\"\" title=\"Bud Shank\" width=\"110\" height=\"160\" class=\"alignleft size-full wp-image-3181\" \/><\/a>Early this<a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/McP.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/McP.jpg\" alt=\"\" title=\"McP\" width=\"110\" height=\"144\" class=\"alignright size-full wp-image-3182\" \/><\/a> month, Marian McPartland\u00e2\u20ac\u2122s <em>Piano Jazz<\/em> rebroadcast her 2006 program with Bud Shank (1926-2009). She kept marveling that the two had never before met, and they had a fine chat about his days with Charlie Barnet and Stan Kenton and his career as a saxophonist and flutist who transcended the \u00e2\u20ac\u0153West Coast\u00e2\u20ac\u009d label. Mostly, though, they made music. Shank brought bassist Martin Wind and drummer Tim Horner. The impromptu Shank-McPartland quartet played \u00e2\u20ac\u0153Alone Together,\u00e2\u20ac\u009d \u00e2\u20ac\u0153Beautiful Love,\u00e2\u20ac\u009d \u00e2\u20ac\u0153Lover Man\u00e2\u20ac\u009d and other good tunes, including &#8220;Emily&#8221; as a fast waltz. There are plenty of reminders of what a good accompanist McP is. If you missed the program or wish to hear it again, <a href=\"http:\/\/www.npr.org\/2011\/12\/02\/112716189\/remembering-bud-shank-on-piano-jazz\"target=\"_blank\">go here<\/a> and click on \u00e2\u20ac\u0153Listen Now.\u00e2\u20ac\u009d  <\/p>\n","protected":false},"excerpt":{"rendered":"<p>For the next few days&#151;at least&#151;Rifftides will be in semi-suspension while I face down a couple of deadlines. I should be able to tell you sometime next week about the more urgent one. In the meantime, the staff will continue to monitor and post your comments. When possible, I will contribute a tidbit or two, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-3180","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3180","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=3180"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3180\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=3180"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=3180"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=3180"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}