{"id":3146,"date":"2011-12-03T22:15:10","date_gmt":"2011-12-04T06:15:10","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=3146"},"modified":"2011-12-03T22:18:55","modified_gmt":"2011-12-04T06:18:55","slug":"lennie-sogoloff-still-presents","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2011\/12\/lennie-sogoloff-still-presents\/","title":{"rendered":"Lennie Sogoloff Still Presents"},"content":{"rendered":"<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/Newman-Sogoloff.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-3147\" title=\"Newman, Sogoloff\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/Newman-Sogoloff.jpg\" alt=\"\" width=\"275\" height=\"244\" \/><\/a> For a couple of weeks, I\u00e2\u20ac\u2122ve been waiting for permission to post photographs from the collection that Lennie Sogoloff donated to Salem State University in Massachusetts. Sogoloff was the proprietor of Lennie\u00e2\u20ac\u2122s On the Turnpike, a club north of Boston that presented jazz, comics and cabaret from 1951 to 1972. In that era, it was not unusual for artists to appear in clubs for a week, two weeks or longer, not the one- or two-night gigs customary in the 21st century. The range of performers that Sogoloff hired was remarkable. It ran from budding humorists and singers (among them Jay Leno and Bette Midler) to established jazz artists, including Duke Ellington, Woody Herman, Earl Hines, Dizzy Gillespie and Miles Davis. Among the recordings From Lennie&#8217;s was Jaki Byard\u00e2\u20ac\u2122s <a href=\"http:\/\/www.amazon.com\/Quartet-Jaki-Byard\/dp\/B000000ZDS?_encoding=UTF8&amp;tag=rifftidougram-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\">Live!<\/a>, a masterpiece that\u00e2\u20ac\u201dfor no apparent good reason\u00e2\u20ac\u201dhas gone out of print and become a bizarrely overpriced collectors item. Maybe Concord Records can explain why. In the 1963 photograph above, Sogoloff is introducing trumpeter Joe Newman. Five years ago, he turned over his archive of photographs and other memorabilia to Salem State U., which has posted many of the pictures on the web.<\/p>\n<p>Thanks to the university archivist, Susan Edwards, for permission to show you a few of Sogoloff\u00e2\u20ac\u2122s, and his customers&#8217;, memories.<\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/Woody-Nistico.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-3148\" title=\"Woody, Nistico\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/Woody-Nistico.jpg\" alt=\"\" width=\"250\" height=\"251\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/Woody-Nistico.jpg 250w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/Woody-Nistico-150x150.jpg 150w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/Woody-Nistico-70x70.jpg 70w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/Woody-Nistico-110x110.jpg 110w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/a><\/p>\n<div style=\"text-align: center;\">\n<p><strong>Woody Herman and Sal Nistico<\/strong><\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/CT-BB1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-3152\" title=\"CT &amp; BB\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/CT-BB1.jpg\" alt=\"\" width=\"250\" height=\"252\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/CT-BB1.jpg 250w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/CT-BB1-150x150.jpg 150w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/CT-BB1-70x70.jpg 70w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/CT-BB1-110x110.jpg 110w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/a><\/p>\n<div style=\"text-align: center;\"><strong>Clark Terry and Bob Brookmeyer<\/strong><\/div>\n<p><P><br \/>\n<a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/Jon-Hendricks-Lennie.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-3150\" title=\"Jon Hendricks, Lennie'\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/Jon-Hendricks-Lennie.jpg\" alt=\"\" width=\"250\" height=\"250\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/Jon-Hendricks-Lennie.jpg 250w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/Jon-Hendricks-Lennie-150x150.jpg 150w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/Jon-Hendricks-Lennie-70x70.jpg 70w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/Jon-Hendricks-Lennie-110x110.jpg 110w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/a><\/p>\n<div style=\"text-align: center;\"><strong>Jon Hendricks<\/strong><\/div>\n<p><P><br \/>\n<a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/Art-Farmer-Quartet.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-3151\" title=\"Art Farmer Quartet\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/12\/Art-Farmer-Quartet.jpg\" alt=\"\" width=\"250\" height=\"259\" \/><\/a><\/p>\n<div style=\"text-align: center;\"><strong>Jim Hall, Art Farmer, Steve Swallow, Walter Perkins<\/strong><\/div>\n<p><P><\/p>\n<p style=\"text-align: left;\">To see the entire Sogoloff collection of 118 photographs, <a href=\"http:\/\/www.flickr.com\/photos\/68317878@N04\/sets\/72157627831837564\/\"target=\"_blank\">go here<\/a>.<\/p>\n<p style=\"text-align: left;\">Coincidentally, as we were about to post this item, Alan Broadbent alerted the <em>Rifftides<\/em> staff to a video clip of Sogoloff in 2011. The pianist remembers Lennie&#8217;s as &#8220;the great club where I heard Miles with Herbie and Wayne in 1966 or so.&#8221;<\/p>\n<p style=\"text-align: left;\">The irrepressible Lennie is still presenting artists he loves and respects, but in rather different circumstances, at the Devereux Nursing Home in Marblehead, Massachusetts. Listen to what he says when his interviewer asks him about jazz &#8220;acts\u00e2\u20ac\u009d\u00e2\u20ac\u201d\u00e2\u20ac\u201dwords to remember.<\/p>\n<div style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/-4eZVT4beBs?rel=0\" frameborder=\"0\" width=\"440\" height=\"355\"><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\">If you\u00e2\u20ac\u2122d like to hear Mike Palter and Lynne Jackson perform a song with words by Palter and music by Alan Broadbent,<a href=\"http:\/\/www.youtube.com\/watch?v=luKanATydU4\" target=\"_blank\"> go here<\/a>.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>For a couple of weeks, I\u00e2\u20ac\u2122ve been waiting for permission to post photographs from the collection that Lennie Sogoloff donated to Salem State University in Massachusetts. Sogoloff was the proprietor of Lennie\u00e2\u20ac\u2122s On the Turnpike, a club north of Boston that presented jazz, comics and cabaret from 1951 to 1972. In that era, it was [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-3146","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3146","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=3146"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3146\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=3146"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=3146"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=3146"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}