{"id":3130,"date":"2011-11-27T17:58:15","date_gmt":"2011-11-28T01:58:15","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=3130"},"modified":"2011-11-27T17:58:15","modified_gmt":"2011-11-28T01:58:15","slug":"maybe-80-really-is-the-new-60","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2011\/11\/maybe-80-really-is-the-new-60\/","title":{"rendered":"Maybe 80 Really Is The New 60"},"content":{"rendered":"<p>Why didn&#8217;t I think of this when I posted the <em>Going Like 80 (+)<\/em> item a few days ago? [See November 23, below.]<\/p>\n<div style=\"text-align: center;\"> <iframe loading=\"lazy\" width=\"440\" height=\"355\" src=\"http:\/\/www.youtube.com\/embed\/cb-4F_sHhs8?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/iframe><\/div>\n<p><p>\nI just added Jim Hall and Bill Smith to the original list. It is accumulating a near-record number of comments.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Why didn&#8217;t I think of this when I posted the Going Like 80 (+) item a few days ago? [See November 23, below.] I just added Jim Hall and Bill Smith to the original list. It is accumulating a near-record number of comments.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-3130","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3130","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=3130"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/3130\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=3130"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=3130"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=3130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}