{"id":310,"date":"2006-01-10T01:01:00","date_gmt":"2006-01-10T09:01:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=310"},"modified":"2006-01-10T01:01:00","modified_gmt":"2006-01-10T09:01:00","slug":"comment_miguel_zenon","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/01\/comment_miguel_zenon\/","title":{"rendered":"Comment: Miguel Zenon"},"content":{"rendered":"<p><em>Rifftides<\/em> reader Garth Jowett writes:<\/p>\n<blockquote><p>The <a href=\"http:\/\/www.artsjournal.com\/rifftides\/archives\/2005\/12\/cd.html\"target=\"_blank\">Miguel Zenon<\/a> is &#8220;different&#8221; from what I expected, but<br \/>\nwonderful in its own way. I would like to hear what he can do with<br \/>\n&#8220;bebop&#8221; standards, as he has such great control of the instrument, and a<br \/>\nwonderful sound.  Thanks for the recommendation.<\/p><\/blockquote>\n<p>It&#8217;s not quite a bop standard, but Zenon solos on &#8220;MDM&#8221; with the Mingus Big Band on <em><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/redirect?link_code=ur2&#038;tag=rifftidougram-20&#038;camp=1789&#038;creative=9325&#038;path=http%3A%2F%2Fwww.amazon.com%2Fgp%2Fproduct%2FB0009J2SQQ%2Fqid%3D1136840640%2Fsr%3D2-1%2Fref%3Dpd_bbs_b_2_1%3Fs%3Dmusic%2526v%3Dglance%2526n%3D5174\"target=\"_blank\">I Am Three<\/a><\/em> and has interesting solos in <em><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/redirect?link_code=ur2&#038;tag=rifftidougram-20&#038;camp=1789&#038;creative=9325&#038;path=http%3A%2F%2Fwww.amazon.com%2Fgp%2Fproduct%2FB000A1CS68%2Fqid%3D1136840943%2Fsr%3D2-1%2Fref%3Dpd_bbs_b_2_1%3Fs%3Dmusic%2526v%3Dglance%2526n%3D5174\"target=\"_blank\">Not In Our Name<\/a><\/em> by Charlie Haden&#8217;s Liberation Music Orchestra. With Haden, he is at his most boppish in &#8220;America The Beautiful,&#8221; but he is unabashedly a post-bop player.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rifftides reader Garth Jowett writes: The Miguel Zenon is &#8220;different&#8221; from what I expected, but wonderful in its own way. I would like to hear what he can do with &#8220;bebop&#8221; standards, as he has such great control of the instrument, and a wonderful sound. Thanks for the recommendation. It&#8217;s not quite a bop standard, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-310","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/310","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=310"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/310\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=310"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=310"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=310"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}