{"id":308,"date":"2006-01-03T01:04:00","date_gmt":"2006-01-03T09:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=308"},"modified":"2006-01-03T01:04:00","modified_gmt":"2006-01-03T09:04:00","slug":"comment_guest_quote","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/01\/comment_guest_quote\/","title":{"rendered":"Comment: Guest Quote"},"content":{"rendered":"<p>Ted O&#8217;Reilly writes from Toronto:<\/p>\n<blockquote><p>Before Christmas (Dec. 22) you had some <a href=\"http:\/\/www.artsjournal.com\/rifftides\/archives\/2005\/12\/the_power_of_mu.html\"target=\"_blank\">Plato and Aristotle observations<\/a> on music.  How about adding some good ol&#8217; W. Shakespeare?<\/p><\/blockquote>\n<blockquote><p> <strong>Lorenzo:<\/strong><\/p><\/blockquote>\n<blockquote><p>The man that hath no music in himself,<br \/>\nNor is not moved with concord of sweet sounds,<br \/>\nIs fit for treasons, stratagems and spoils;<br \/>\nThe motions of his spirit are dull as night<br \/>\nAnd his affections dark as Erebus:<br \/>\nLet no such man be trusted.<\/p><\/blockquote>\n<blockquote><p><strong>(Merchant of Venice, Act V)<\/strong><\/p><\/blockquote>\n<p>You just did. Thanks.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ted O&#8217;Reilly writes from Toronto: Before Christmas (Dec. 22) you had some Plato and Aristotle observations on music. How about adding some good ol&#8217; W. Shakespeare? Lorenzo: The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems and spoils; The motions of his [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-308","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/308","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=308"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/308\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=308"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=308"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}