{"id":2944,"date":"2011-09-16T09:03:31","date_gmt":"2011-09-16T16:03:31","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=2944"},"modified":"2011-09-17T16:50:33","modified_gmt":"2011-09-17T23:50:33","slug":"tables-turned","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2011\/09\/tables-turned\/","title":{"rendered":"Tables Turned"},"content":{"rendered":"<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/09\/Steve-Cerra.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/09\/Steve-Cerra.jpg\" alt=\"\" title=\"Steve Cerra\" width=\"90\" height=\"117\" class=\"alignleft size-full wp-image-2945\" \/><\/a>Steve Cerra (pictured), the proprietor of <em>Jazz Profiles<\/em>, found himself desperate for material and put me in an unaccustomed position&#151;&#151;on the answering end of an interview. The results are posted on his excellent blog, which you can reach by <a href=\"http:\/\/jazzprofiles.blogspot.com\/2011\/09\/conversation-about-jazz-with-doug.html#links\"target=\"_blank\">clicking here<\/a>. If you make it through that piece, you\u00e2\u20ac\u2122ll arrive at Steve\u00e2\u20ac\u2122s news posts about Ernestine Anderson and Carmel Jones.  <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Steve Cerra (pictured), the proprietor of Jazz Profiles, found himself desperate for material and put me in an unaccustomed position&#151;&#151;on the answering end of an interview. The results are posted on his excellent blog, which you can reach by clicking here. If you make it through that piece, you\u00e2\u20ac\u2122ll arrive at Steve\u00e2\u20ac\u2122s news posts about [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-2944","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2944","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=2944"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2944\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=2944"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=2944"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=2944"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}