{"id":2939,"date":"2011-09-13T12:14:41","date_gmt":"2011-09-13T19:14:41","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=2939"},"modified":"2011-09-13T12:21:29","modified_gmt":"2011-09-13T19:21:29","slug":"announcing-the-latest-recommendations","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2011\/09\/announcing-the-latest-recommendations\/","title":{"rendered":"Announcing The Latest Recommendations"},"content":{"rendered":"<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/09\/Approved.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/09\/Approved.jpg\" alt=\"\" title=\"Approved\" width=\"120\" height=\"114\" class=\"alignleft size-full wp-image-2940\" \/><\/a>The new batch of <em>Rifftides<\/em> recommendations covers CDs by one saxophonist inspired by Paul Desmond, another inspired by his native land and a bassist who is simply inspired. We also suggest an intimate DVD performance by Gerry Mulligan and a book about the life of the woman who inspired \u00e2\u20ac\u0153Pannonica,\u00e2\u20ac\u009d \u00e2\u20ac\u0153Nica\u00e2\u20ac\u2122s Dream\u00e2\u20ac\u009d and \u00e2\u20ac\u0153Nica\u00e2\u20ac\u2122s Tempo.\u00e2\u20ac\u009d Please scroll down the right-hand column to <strong>Doug\u00e2\u20ac\u2122s Picks<\/strong>. Temporarily, due to digital circumstances I have yet to fathom, they are also immediately below in the main column. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>The new batch of Rifftides recommendations covers CDs by one saxophonist inspired by Paul Desmond, another inspired by his native land and a bassist who is simply inspired. We also suggest an intimate DVD performance by Gerry Mulligan and a book about the life of the woman who inspired \u00e2\u20ac\u0153Pannonica,\u00e2\u20ac\u009d \u00e2\u20ac\u0153Nica\u00e2\u20ac\u2122s Dream\u00e2\u20ac\u009d and \u00e2\u20ac\u0153Nica\u00e2\u20ac\u2122s Tempo.\u00e2\u20ac\u009d [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-2939","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2939","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=2939"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2939\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=2939"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=2939"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=2939"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}