{"id":292,"date":"2005-12-20T01:04:00","date_gmt":"2005-12-20T09:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=292"},"modified":"2005-12-20T01:04:00","modified_gmt":"2005-12-20T09:04:00","slug":"heading_for_the_hills","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2005\/12\/heading_for_the_hills\/","title":{"rendered":"Heading For The Hills"},"content":{"rendered":"<p>This morning, we&#8217;re going into the Cascade mountains for cross-country skiing. It has the makings of a long day, so further blogging is unlikely. Managing a laptop on the trails is so awkward, not to mention the difficulty of finding a wireless signal or a tree with a phone jack in a national forest at 4,500 feet.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This morning, we&#8217;re going into the Cascade mountains for cross-country skiing. It has the makings of a long day, so further blogging is unlikely. Managing a laptop on the trails is so awkward, not to mention the difficulty of finding a wireless signal or a tree with a phone jack in a national forest at [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-292","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/292","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=292"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/292\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=292"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=292"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=292"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}