{"id":2918,"date":"2011-09-09T00:16:10","date_gmt":"2011-09-09T07:16:10","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=2918"},"modified":"2011-09-09T16:25:04","modified_gmt":"2011-09-09T23:25:04","slug":"correspondence-hallberg-meets-lundgren","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2011\/09\/correspondence-hallberg-meets-lundgren\/","title":{"rendered":"Correspondence: Hallberg Meets Lundgren"},"content":{"rendered":"<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/09\/Lundgren-Hallberg.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/09\/Lundgren-Hallberg.jpg\" alt=\"\" title=\"Lundgren Hallberg\" width=\"180\" height=\"159\" class=\"alignleft size-full wp-image-2919\" \/><\/a>Dick Bank has produced a dozen albums led by or featuring the pianist Jan Lundgren. He sends a communiqu\u00c3\u00a9 about a Lundgren performance in tandem with Bengt Hallberg, a fellow Swedish pianist 34 years his senior.  In the bebop years, Hallberg was a favorite pianist of visiting players including Stan Getz, with whom he was featured on Getz\u00e2\u20ac\u2122s influential recording that introduced \u00e2\u20ac\u0153Dear Old Stocklholm\u00e2\u20ac\u009d to American listeners. Many commentators consider Lundgren the successor to Hallberg in touch, harmonic acuity and melodic invention. Mr. Bank writes:<\/p>\n<blockquote><p>Friday, September 9 at 7:30 at the venerable Konserthuset in Stockholm,<\/p>\n<div style=\"text-align: center;\">Together Again For The First Time!<br \/>\n<\/iframe><\/div>\n<div style=\"text-align: center;\">Bengt Hallberg and Jan Lundgren. <\/iframe><\/div>\n<p><p>The Konserhuset is sold out (1200 capacity). They\u00e2\u20ac\u2122ll be playing tunes like \u00e2\u20ac\u0153All the Things You Are,\u00e2\u20ac\u009d \u00e2\u20ac\u0153Lover Man,\u00e2\u20ac\u009d \u00e2\u20ac\u0153Sweet Georgia Brown\u00e2\u20ac\u009d and \u00e2\u20ac\u0153Sophisticated Lady,\u00e2\u20ac\u009d plus original compositions for two pianos. <\/p>\n<p>Jan is quite thrilled about it. Hallberg is the last living icon from the golden years of Swedish jazz. He will be 79 on Tuesday (same day as Mel Torm\u00c3\u00a9 and Dick Haymes and the day after Jesse Owens! <\/p>\n<p>Jan previously recorded with Swedish jazz legends Arne Domn\u00c3\u00a9rus  and Putte Wickman. Finally, he is paired with Hallberg. Sadly, it won\u00e2\u20ac\u2122t be recorded. <\/p>\n<p>It was ten years ago that Jan and Pete Jolly recorded <a href=\"http:\/\/www.amazon.com\/gp\/product\/B00009VGDK?pf_rd_p=486539851&#038;pf_rd_s=lpo-top-stripe-1&#038;pf_rd_t=201&#038;pf_rd_i=B00009XEL0&#038;pf_rd_m=ATVPDKIKX0DER&#038;pf_rd_r=06RYJ3Y9TWGGWHSYGPZT?ie=UTF8&#038;tag=rifftidougram-20&#038;linkCode=ur2&#038;camp=1789&#038;creative=9325\"target=\"_blank\"><em>Collaboration<\/em><\/a>, which critic Alun Morgan called, \u00e2\u20ac\u0153The best two-piano album, both technically and musically, ever produced.\u00e2\u20ac\u009d <\/p><\/blockquote>\n<p>For more information about the event, <a href=\"http:\/\/www.konserthuset.se\/\"target=\"_blank\">go here<\/a>. If you happen not to read Swedish, there\u00e2\u20ac\u2122s an English translation option. If you read neither, Konserthuset makes available translations from Afrikaans to Yiddish. What, no Zulu? <\/p>\n<p>Digging with their usual efficiency, the <em>Rifftides<\/em> staff has discovered that although the concert will not be recorded, Lundgren and Hallberg have made a two-piano album. It seems to be available <a href=\"http:\/\/translate.google.com\/translate?hl=en&#038;sl=no&#038;u=http:\/\/cdon.no\/musikk\/hallberg_bengt_%25252f_lundgren_jan\/back_to_back-15167077&#038;ei=w6hpTtXZGYjbiAL-4LHkBw&#038;sa=X&#038;oi=translate&#038;ct=result&#038;resnum=9&#038;ved=0CFQQ7gEwCA&#038;prev=\/search%3Fq%3DLundgren%2BHallberg%2BBack%2BTo%2BBack%26hl%3Den%26client%3Dsafari%26rls%3Den%26prmd%3Divns\"target=\"_blank\">at this website<\/a>.<\/p>\n<p>If you have forgotten or never heard the liquidity of Hallberg&#8217;s work, there is a prime example from 1953 in his accompaniment and solo in this recording by Clifford Brown and Art Farmer with the Swedish All Stars. The first trumpet solo is by Farmer. The other players are Lars Gullin, baritone saxophone; \u00c3\u2026ke Persson, trombone; Arne Domn\u00c3\u00a9rus, alto saxophone; Gunnar Johnson, bass; and Jack Nor\u00c3\u00a9n, drums. The tune is &#8220;Falling in Love With Love.&#8221;<\/p>\n<div style=\"text-align: center;\"><iframe loading=\"lazy\" width=\"440\" height=\"355\" src=\"http:\/\/www.youtube.com\/embed\/51R_5bLF4H8?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Dick Bank has produced a dozen albums led by or featuring the pianist Jan Lundgren. He sends a communiqu\u00c3\u00a9 about a Lundgren performance in tandem with Bengt Hallberg, a fellow Swedish pianist 34 years his senior. In the bebop years, Hallberg was a favorite pianist of visiting players including Stan Getz, with whom he was [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-2918","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2918","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=2918"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2918\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=2918"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=2918"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=2918"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}