{"id":290,"date":"2005-12-15T01:05:00","date_gmt":"2005-12-15T09:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=290"},"modified":"2005-12-15T01:05:00","modified_gmt":"2005-12-15T09:05:00","slug":"comment_wine_oh_wine","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2005\/12\/comment_wine_oh_wine\/","title":{"rendered":"Comment: Wine, Oh Wine"},"content":{"rendered":"<p>Regarding the posting about <a href=\"http:\/\/www.artsjournal.com\/rifftides\/archives\/2005\/12\/zeitgeist_1.html\"target=\"_blank\">Denny Zeitlin<\/a>, <em>Rifftides<\/em> reader Dave Berk writes:<\/p>\n<blockquote><p>It was the early seventies,  and the Trident was the Sausalito stop for a date, good jazz and some<br \/>\nmarvelous petrale sole. Ah,<br \/>\nbut the view&#8230;&#8230;<br \/>\nWell, the visit with Dr.<br \/>\nZeitlin evokes memories of<br \/>\ntastings above the California Wine Merchant in<br \/>\nthe Marina, and listening<br \/>\nto Chuck Wagner (the owner of Caymus) &#8220;pleading&#8221; for one<br \/>\nto buy his cab for $100\/box.<\/p><\/blockquote>\n<blockquote><p>Things are a bit different, now.<\/p><\/blockquote>\n<p>Yup. Adjusted for inflation, the $100 for a case of Caymus cabernet  in 1972 is $456.11 in 2005 dollars. However, you won&#8217;t get the current Caymus cab at that price. <a href=\"http:\/\/www.nomerlot.com\/store\/index.php?productID=1002\"target=\"_blank\"><em>nomerlot.com<\/em><\/a> is offering the 2001 at $1,403.99, plus shipping. That&#8217;s an example of price adjustment dictated by the law of supply and demand. Cheers.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Regarding the posting about Denny Zeitlin, Rifftides reader Dave Berk writes: It was the early seventies, and the Trident was the Sausalito stop for a date, good jazz and some marvelous petrale sole. Ah, but the view&#8230;&#8230; Well, the visit with Dr. Zeitlin evokes memories of tastings above the California Wine Merchant in the Marina, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-290","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/290","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=290"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/290\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=290"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=290"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}