{"id":2889,"date":"2011-08-28T22:13:37","date_gmt":"2011-08-29T05:13:37","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=2889"},"modified":"2011-08-28T22:13:37","modified_gmt":"2011-08-29T05:13:37","slug":"so-what-illustrated","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2011\/08\/so-what-illustrated\/","title":{"rendered":"&#8220;So What,&#8221; Illustrated"},"content":{"rendered":"<p>Here\u00e2\u20ac\u2122s something to engross you as you prepare for a new week. A man named Dan Cohen animates music in the most fundamental and entertaining way. You have no doubt heard the Miles Davis Sextet playing \u00e2\u20ac\u0153So What\u00e2\u20ac\u009d often enough that you can sing along with the solos. Well, in fairness, it would require a remarkably flexible voice to stay in unison with Coltrane, but enjoy singing along&#151;or reading along&#151;with Mr. Cohen\u00e2\u20ac\u2122s tour of one of the great jazz recordings.<\/p>\n<p><p>Miles Davis, John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, Jimmy Cobb, 1959.<\/p>\n<div style=\"text-align: center;\"><iframe loading=\"lazy\" width=\"440\" height=\"355\" src=\"http:\/\/www.youtube.com\/embed\/Rhv8iOY08TY?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/iframe><\/div>\n<p><p>\n<a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/08\/Davis-Sextet.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/08\/Davis-Sextet.jpg\" alt=\"\" title=\"Davis Sextet\" width=\"240\" height=\"156\" class=\"aligncenter size-full wp-image-2891\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here\u00e2\u20ac\u2122s something to engross you as you prepare for a new week. A man named Dan Cohen animates music in the most fundamental and entertaining way. You have no doubt heard the Miles Davis Sextet playing \u00e2\u20ac\u0153So What\u00e2\u20ac\u009d often enough that you can sing along with the solos. Well, in fairness, it would require a [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-2889","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2889","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=2889"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2889\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=2889"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=2889"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=2889"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}