{"id":2822,"date":"2011-07-29T11:00:07","date_gmt":"2011-07-29T18:00:07","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=2822"},"modified":"2011-07-30T18:04:11","modified_gmt":"2011-07-31T01:04:11","slug":"2011-crop-forecast","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2011\/07\/2011-crop-forecast\/","title":{"rendered":"2011 Crop Forecast"},"content":{"rendered":"<p>Here is the unofficial <em>Rifftides<\/em> apple crop forecast for 2011. My friend Vigorelli Bianchi and I gathered evidence on an early morning cycling expedition. You see Vig resting while I photographed.<br \/>\n<a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/07\/2011-apples-1.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/07\/2011-apples-1.jpg\" alt=\"\" title=\"2011 apples 1\" width=\"350\" height=\"258\" class=\"aligncenter size-full wp-image-2823\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/07\/2011-apples-1.jpg 350w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/07\/2011-apples-1-300x221.jpg 300w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><\/a><br \/>\n<a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/07\/2011-apples-2.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/07\/2011-apples-2.jpg\" alt=\"\" title=\"2011 apples 2\" width=\"350\" height=\"263\" class=\"aligncenter size-full wp-image-2824\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/07\/2011-apples-2.jpg 350w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/07\/2011-apples-2-300x225.jpg 300w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><\/a><br \/>\nThe forecast is for abundant fruit. This fall, there will be plenty of good red Washington apples to go with your scrapple.<\/p>\n<div style=\"text-align: center;\"><iframe loading=\"lazy\" width=\"440\" height=\"355\" src=\"http:\/\/www.youtube.com\/embed\/1vy5b2L0HTc?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/iframe><\/div>\n<p><p>&#8220;Scrapple From the Apple&#8221; by Charlie Parker, alto saxophone; \u00e2\u20ac\u00a8Charlie Byrd, guitar; \u00e2\u20ac\u00a8Bill Shanahan, piano; \u00e2\u20ac\u00a8Merton Oliver, bass; \u00e2\u20ac\u00a8Don Lamond, drums; unknown, bongos. Howard Theater, Washington, D.C., October 18, 1952.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here is the unofficial Rifftides apple crop forecast for 2011. My friend Vigorelli Bianchi and I gathered evidence on an early morning cycling expedition. You see Vig resting while I photographed. The forecast is for abundant fruit. This fall, there will be plenty of good red Washington apples to go with your scrapple. &#8220;Scrapple From [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2824,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-2822","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2822","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=2822"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2822\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media\/2824"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=2822"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=2822"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=2822"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}