{"id":2801,"date":"2011-07-21T16:48:39","date_gmt":"2011-07-21T23:48:39","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=2801"},"modified":"2011-07-21T18:47:33","modified_gmt":"2011-07-22T01:47:33","slug":"sophia-dave-and-dizzy","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2011\/07\/sophia-dave-and-dizzy\/","title":{"rendered":"Sophia, Dave And Dizzy"},"content":{"rendered":"<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/07\/Loren.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/07\/Loren.jpg\" alt=\"\" title=\"Loren\" width=\"110\" height=\"116\" class=\"alignleft size-full wp-image-2802\" \/><\/a>You never know who\u00e2\u20ac\u2122s listening. Skipping around in Jeffrey Lyons\u00e2\u20ac\u2122 entertaining new book about his father Leonard, the prolific <i>New York Post<\/i> columnist, I came across this item in the Sophia Loren section:<\/p>\n<blockquote><p>In 1961, she was back in Spain filming <i>El Cid<\/i>, and after finishing the day\u00e2\u20ac\u2122s shooting of that medieval epic, Loren would always turn on Dave Brubeck and Dizzy Gillespie records. \u00e2\u20ac\u0153It\u00e2\u20ac\u2122s the best way to snap back into the twentieth century,\u00e2\u20ac\u009d she explained.<\/p><\/blockquote>\n<p>It\u00e2\u20ac\u2122s worth mentioning the book, <i><a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&#038;location=http%3A%2F%2Fwww.amazon.com%2FStories-My-Father-Told-Me%2Fdp%2F0789211025%2F&#038;tag=rifftidougram-20&#038;linkCode=ur2&#038;camp=1789&#038;creative=9325\"target=\"_blank\">Stories My Father Told Me: Notes From \u00e2\u20ac\u0153The Lyons Den\u00e2\u20ac\u009d<\/a><\/I> if only as an excuse to show you the cover shot of Leonard Lyons, his wife Sylvia and Marilyn Monroe.<br \/>\n<a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/07\/Lyonses-Monroe.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/07\/Lyonses-Monroe.jpg\" alt=\"\" title=\"Lyonses, Monroe\" width=\"301\" height=\"301\" class=\"aligncenter size-full wp-image-2803\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/07\/Lyonses-Monroe.jpg 301w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/07\/Lyonses-Monroe-150x150.jpg 150w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/07\/Lyonses-Monroe-300x300.jpg 300w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/07\/Lyonses-Monroe-70x70.jpg 70w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/07\/Lyonses-Monroe-110x110.jpg 110w\" sizes=\"auto, (max-width: 301px) 100vw, 301px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>You never know who\u00e2\u20ac\u2122s listening. Skipping around in Jeffrey Lyons\u00e2\u20ac\u2122 entertaining new book about his father Leonard, the prolific New York Post columnist, I came across this item in the Sophia Loren section: In 1961, she was back in Spain filming El Cid, and after finishing the day\u00e2\u20ac\u2122s shooting of that medieval epic, Loren would [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-2801","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2801","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=2801"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2801\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=2801"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=2801"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=2801"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}