{"id":2751,"date":"2011-06-29T00:07:20","date_gmt":"2011-06-29T07:07:20","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=2751"},"modified":"2011-06-28T23:38:40","modified_gmt":"2011-06-29T06:38:40","slug":"listen-up-new-recommendations","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2011\/06\/listen-up-new-recommendations\/","title":{"rendered":"Listen Up: New Recommendations"},"content":{"rendered":"<p>The <em>Rifftide<\/em>s staff has done exhaustive auditioning, winnowing and <a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/06\/Listen-1.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/06\/Listen-1.jpg\" alt=\"\" title=\"Listen 1\" width=\"130\" height=\"87\" class=\"alignleft size-full wp-image-2752\" \/><\/a>selecting from among hundreds of CDs, DVDs and books hoping to be chosen. The result: a new batch of recommendations. They are compact discs by a pianist and a trumpeter who love Mingus, musical portraits of the seven deadly sins, a Nat King Cole concert that surfaced after 61 years in hiding, a DVD of two elderly avant-garde saxophonists with the energy of teenagers, and a book dedicated to the proposition that Louis Armstrong&#8217;s late period was glorious. Please see the listings in the right column under <strong>Doug&#8217;s Picks<\/strong>.  <\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Rifftides staff has done exhaustive auditioning, winnowing and selecting from among hundreds of CDs, DVDs and books hoping to be chosen. The result: a new batch of recommendations. They are compact discs by a pianist and a trumpeter who love Mingus, musical portraits of the seven deadly sins, a Nat King Cole concert that [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-2751","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2751","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=2751"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2751\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=2751"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=2751"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=2751"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}