{"id":2743,"date":"2011-06-29T00:04:21","date_gmt":"2011-06-29T07:04:21","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=2743"},"modified":"2011-06-29T21:09:25","modified_gmt":"2011-06-30T04:09:25","slug":"cd-nat-cole","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2011\/06\/cd-nat-cole\/","title":{"rendered":"CD: Nat Cole"},"content":{"rendered":"<p><strong>Nat King Cole<\/strong>, <a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&#038;location=http%3A%2F%2Fwww.amazon.com%2FForgotten-1949-Carnegie-Hall-Concert%2Fdp%2FB003TY14X6%3Fie%3DUTF8%26qid%3D1309304209%26sr%3D1-1&#038;tag=rifftidougram-20&#038;linkCode=ur2&#038;camp=1789&#038;creative=9325\"target=\"_blank\"><em>The Forgotten 1949 Carnegie Hall Concert<\/em><\/a> (Hep).  <\/p>\n<p>Cole\u00e2\u20ac\u2122s trio and the Woody Herman Second Herd teamed up for a successful concert tour, with Carnegie Hall a high spot. It was recorded but never before <a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/06\/Cole-Herman-2.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/06\/Cole-Herman-2.jpg\" alt=\"\" title=\"Cole, Herman 2\" width=\"120\" height=\"121\" class=\"alignleft size-full wp-image-2754\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/06\/Cole-Herman-2.jpg 120w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/06\/Cole-Herman-2-70x70.jpg 70w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/06\/Cole-Herman-2-110x110.jpg 110w\" sizes=\"auto, (max-width: 120px) 100vw, 120px\" \/><\/a>issued. Now, here it is, with Cole\u00e2\u20ac\u2122s singing and piano playing at a high level. He included many of his famous numbers&#151;\u00e2\u20ac\u0153Sweet Lorraine,\u00e2\u20ac\u009d \u00e2\u20ac\u0153Lush Life,\u00e2\u20ac\u009d Body and Soul,\u00e2\u20ac\u009d \u00e2\u20ac\u0153Bop Kick\u00e2\u20ac\u009d among them&#151;and a terrific new piece called \u00e2\u20ac\u0153Cuba Libre\u00e2\u20ac\u009d by the trio and bongoist Jack Costanzo.  Herman\u00e2\u20ac\u2122s band shows up only on a supercharged \u00e2\u20ac\u0153More Moon.\u00e2\u20ac\u009d It ends the CD so powerfully that we can hope there is more Herman from this occasion. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nat King Cole, The Forgotten 1949 Carnegie Hall Concert (Hep). Cole\u00e2\u20ac\u2122s trio and the Woody Herman Second Herd teamed up for a successful concert tour, with Carnegie Hall a high spot. It was recorded but never before issued. Now, here it is, with Cole\u00e2\u20ac\u2122s singing and piano playing at a high level. He included many [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5,9],"tags":[],"class_list":{"0":"post-2743","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"category-recordings","8":"entry","9":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2743","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=2743"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2743\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=2743"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=2743"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=2743"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}