{"id":2715,"date":"2011-06-21T00:01:13","date_gmt":"2011-06-21T07:01:13","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=2715"},"modified":"2011-06-21T00:01:13","modified_gmt":"2011-06-21T07:01:13","slug":"other-places-hot-lips-page-a-real-record-store","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2011\/06\/other-places-hot-lips-page-a-real-record-store\/","title":{"rendered":"Other Places: Hot Lips Page &#038; A Real Record Store"},"content":{"rendered":"<div style=\"text-align: center;\"><strong>HOT LIPS PAGE<\/strong><\/iframe><\/div>\n<p><p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/06\/Hot-Lips-Page.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/06\/Hot-Lips-Page.jpg\" alt=\"\" title=\"Hot Lips Page\" width=\"120\" height=\"173\" class=\"alignleft size-full wp-image-2716\" \/><\/a>Speaking of quasi-forgotten trumpeters of the 1930s and \u00e2\u20ac\u02dc40s (see the Benny Carter item in the previous exhibit), in his current post, blogger and frequent <i>Rifftides<\/i> correspndent Bruno Leicht highlights Hot Lips Page. Here\u00e2\u20ac\u2122s some of what he writes about that musician of astonishing gifts:<\/p>\n<blockquote><p>\u00e2\u20ac\u02dcHot Lips\u00e2\u20ac\u2122 was a joyful trumpeter with a big tone, directly influenced by Louis Armstrong. Most commercial studio dates don\u00e2\u20ac\u2122t reflect his daring trumpet excursions; they rarely let you hear adequately how he really sounded. \u00e2\u20ac\u201d He sometimes went to the extreme, as the following great interpretation of &#8220;I Got Rhythm&#8221; from 1940 shows.<\/p><\/blockquote>\n<p>To hear Lips in that remarkable recording, another in which he plays and sings in collaboration with Artie Shaw, a third one with his own band, and to read about Page, <a href=\"http:\/\/brewlitesjazztales.wordpress.com\/\"target=\"_blank\">go here<\/a>. <\/p>\n<div style=\"text-align: center;\"><strong>A REAL RECORD STORE<\/strong><\/iframe><\/div>\n<p><p>With ironic intent, I have occasionally used the term \u00e2\u20ac\u0153your corner record store\u00e2\u20ac\u009d when suggesting that you seek out certain recordings. Well, there are a few actual record stores left, as opposed to the virtual ones on the internet. In <i>The Chicago Tribune<\/i> last week, Howard Reich wrote a profile of one of the biggest, oldest and&#151;believe it or not&#151; most profitable. It is Chicago&#8217;s  venerable Jazz Record Mart. To read Howard\u00e2\u20ac\u2122s piece, <a href=\"http:\/\/www.chicagotribune.com\/entertainment\/music\/ct-ent-0615-jazz-record-store-20110614,0,2445436.column\"target=\"_blank\">go here<\/a>.<\/p>\n<p>Coming soon: new <strong>Doug&#8217;s Picks<\/strong> and a few recommendations from the never-ending stream of new releases. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>HOT LIPS PAGE Speaking of quasi-forgotten trumpeters of the 1930s and \u00e2\u20ac\u02dc40s (see the Benny Carter item in the previous exhibit), in his current post, blogger and frequent Rifftides correspndent Bruno Leicht highlights Hot Lips Page. Here\u00e2\u20ac\u2122s some of what he writes about that musician of astonishing gifts: \u00e2\u20ac\u02dcHot Lips\u00e2\u20ac\u2122 was a joyful trumpeter with [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-2715","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2715","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=2715"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2715\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=2715"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=2715"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=2715"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}