{"id":2632,"date":"2011-05-15T14:25:00","date_gmt":"2011-05-15T21:25:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=2632"},"modified":"2011-05-22T21:52:30","modified_gmt":"2011-05-23T04:52:30","slug":"weekend-extra-miguel-zenon-in-spain","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2011\/05\/weekend-extra-miguel-zenon-in-spain\/","title":{"rendered":"Weekend Extra: Miguel Zenon In Spain"},"content":{"rendered":"<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/05\/Zenon-facing-right.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-2634\" title=\"Zenon facing right\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2011\/05\/Zenon-facing-right.jpg\" alt=\"\" width=\"90\" height=\"84\" \/><\/a>The Miguel Zenon Quartet with Luis Perdomo, piano; Hans Glawischnig, bass; and Henry Cole, drums, play \u00e2\u20ac\u0153&#8221;\u00bfQue Sera de Puerto Rico?\u00e2\u20ac\u009d in 2009 at the Teatro Central de Sevilla, Spain. This was the year following Zenon&#8217;s winning one of the John D. and Catherine T. MacArthur Foundation fellowships popularly known as &#8220;genius grants.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Miguel Zenon Quartet with Luis Perdomo, piano; Hans Glawischnig, bass; and Henry Cole, drums, play \u00e2\u20ac\u0153&#8221;\u00bfQue Sera de Puerto Rico?\u00e2\u20ac\u009d in 2009 at the Teatro Central de Sevilla, Spain. This was the year following Zenon&#8217;s winning one of the John D. and Catherine T. MacArthur Foundation fellowships popularly known as &#8220;genius grants.&#8221;<\/p>\n","protected":false},"author":2,"featured_media":2634,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-2632","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2632","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=2632"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/2632\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media\/2634"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=2632"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=2632"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=2632"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}